Thomas Moran
~ 19th Century American

Coming to Anchor

$1800.00

Etching from 1885 after Harry Chase. Pencil signed by both. Printed on chine-collé. Remarqué of an anchor in the lower left. Catalog: Gilcrease 51, Klackner 43, iii/iii. roulette and sandpaper ground. Some even light toning. A well-inked impression of this rare early American etching. Plate size measures 14 7/8 x 29 3/4 inches in a 20 3/4 x 35 1/2 inch frame.

Castle of San Juan De Ulua Vera Cruz

$495.00

Original Plate signed etching by American Artist Thomas Moran. The title of this work is: "The Castle of San Juan de Ulua ,Vera Cruz" It was created and printed in 1884. This etching has an image size of 11 X 9 1/2 inches. Nice use of plate tone in the sky and water. Printed on a medium weight wove type paper, full borders all around, illustrated in the Gilcrease catalog as image number 49, 3rd state of 3, from the Cassell portfolio "Twenty American etchings".. 1884 This fortress guards the entrance to the harbor of Vera Cruz.

Gleaning from the Wreck, Montauk

$495.00

This is an original mezzotint etching by American artist Thomas Moran. The title of this work is: "A Wreck Montauk", also known as "Montauk Point: Gleaning from the Wreck"
The image measures 6X 7 7/8 inches. It was created and printed in 1886. The artists name is within the plate lower right. A very rich and expressive inking. Printed on a laid type paper.

The Half Dome - View From Moran Point

$495.00

This beautifully etched image by Thomas Moran measures 11 5/8 x 8 inches, is plate signed and dated. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape. This view of the rugged landscape of Half Dome, the plunging depth of the valley and the towering height of the mountains is accentuated by Moran's richly inked rugged foreground and the contrasting, lightly etched lines of the background giving one the sense of the hostility of the environment.

Montauk Ponds

$475.00

Etching and drypoint from 1880. This is a rare image, not found in the Gilcrease catalog. Monogramed in the plate lower left. Plate measures 3 1/2 x 7 1/2 inches on 9 x 12 inch laid type paper. Minor tears on edges of sheet, well away from the image. This print has a beautiful composition and fine details, a rich impression of this scarce etching.

Morning on the St. Johns, Florida

$425.00

Drypoint etching by Thomas Moran. Plate signed and dated in the lower right, 1881. Plate measures 5 1/2 x 8 1/2 inches on 11 1/2 x 14 3/4 inch medium weight wove type paper. An atmospheric print with good use of plate tone. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape. This view of the rugged landscape of Half Dome, the plunging depth of the valley and the towering height of the mountains is accentuated by Moran's richly inked rugged foreground and the contrasting, lightly etched lines of the background giving one the sense of the hostility of the environment.

Sunrise - The Pond, Easthampton

$225.00

A finely detailed original etching, this image measures 4 1/2 x 7 1/8 inches, published by Klackner in 1883, cat: Gilcrease-47, monogrammed in the plate. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.