This is a scarce image by American artist Stow Wengenroth. The title is: The Corwin House, Greenport, New York, it was created and printed in 1952 in the small edition of only 30 impressions. This pencil signed lithograph measures 9 1/8X14 7/8 inches. This image appears in the Stuckey catalog as image number 203. Very nice condition. Printed on a medium weight wove type sheet.
This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944.
This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.
Original etching by the British artist, Arthur Brisco, measuring 6 1/2 x 10 7/8 inches, 1926, signed and numbered; 62/75, cat: Hurst-158. Britain's "General Strike" was the theme of Brisco's dramatic image of "The Orator". The strike, mainly by coal-miners upset with their goverments' reduction in wages and worsening conditions, also included dockers, printers, power station workers and transport workers, thus Brisco's interest in the subject.
This is an original woodblock print by American artist Isac Friedlander. it is titled: "Vanquished" it was created and printed in 1938, it is editioned as 1/4 impressions.
The image measures 10X12 inches, printed on a light weight laid type paper. It is hand signed,titled and editioned in pencil in the lower margin. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
This is an original etching by American artist Gottlob L. Briem (1899-1972)) The title of this work is :Wall Street, N.Y.C." It was created and printed in 1930 in an edition of 100. The image mesres 13 15/16X8 15/16 inches. It is hand signed in pencil lower right.
Drypoint on copper etching, image size: 6 x 8 15/16 inches, 1877, cat. Schneiderman-156, V state, signed and dated in the plate l.l., pencil signed lower right
This is an original etching by French impressionist Edgar Degas. The title is, "AutoPortrait", Self Portrait. It was created in 1857, this is the Forth state of 4, after the cancellation marks. Delteil 1.
The image measures 9X5 3/8 inches. printed on a cream wove type paper. Unsigned as issued.
This is an original etching by British artist Arthur Briscoe. The title is: "Manning the Pumps". This etching was created and printed in 1931 in an edition of 75. This etching is hand signed and editioned in pen and ink by the artist. The image measures 12 1/4X9 1/8 inches. "The action shows the men manning the pumps which are in the waist of the ship, the wettest part of all when seas are coming aboard". This etching is framed with archival materials.
This is an oriignal aquatint etching by British artist Leonard R. Squirrell, this etching was created and printed in 1924 in an edition of 75 signed proofs. The image measures 11X16 1/4 inches. Pencil signed by the artist in pencil lower right border. Fine use of highlight and shadow making a dramatic composition. Printed on a medium weight wove type paper. A rare image only found in Museums.
This is an original etching by British artist Samuel Palmer. The title is "The Early Ploughman" It was created in 1861. The image measures 5 1/4X9 7/8 inches. THis is the 6th state of eight. Printed on a medium weight laid type paper. Partial watermark visible upper left. This image appears in the Palmer catalog as image number VII.
This is a fine original etching by American artist John Taylor Arms. This etching is titled The Red Mill, also called The Red Barn, Southport. The image measures 11 1/8X7 1/4 inches. This pencil signed impression done in etching and aquatint was published in 1922 in a first edition of 25. Beautiful tonal range and fine composition with extensive reflections in the water. This etching was later printed with some color in the barn and sky. Nicely framed with French matting.
This is an original drypoint etching by French artist Jacques Villon. The title is: La Dame au chine. It was created and printed in 1906, this is the 2nd state of 2. The image measures 9 1/2X8 1/2 inches. Catalog entry Ginestet-Pouillon E156. This drypoint is nicely framed. Hand signed in pencil lower border, one small foxing spot in the lower border.
This is a fine atmospheric etching by American artist Joseph Pennell. The subject is: Caissons on Vesey Street, N.Y. This image was created and printed in 1924, in an edition of 75, pencil signed, also with a collectors name at the upper edge of the sheet. Printed on an antique laid type paper. The image measures 13 3/4X9 1/8 inches. THis subject was the construction of the New York Telephone building, The Barclay Vesey building. The image is in the Wuerth catalog as image number 854.
This is an original pencil signed lithograph by American artist Joseph Pennell. He traveled down to Panama in 1912 to record the building of the Canal. He created a series of lithographic images from that trip. This image is titled: The Cut From Culebra. It was created and printed in 1912 in an edition of 100. The image measures 22 1/2X17 inches on a sheet size of 25 1/2X20 1/2 inches. Printed on a Fabiano watermarked laid type paper.
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