Recent Acquisitions



This is a drypoint etching from 1904. Plate signed "D.S. Maclaughlin" in the lower right and dated. Pencil signed and titled. Plate measures 4 2/4 x 5 1/2 inches on 5 1/2 x 6 1/4 inch buff toned wove paper. A richly inked impression.

Calle de la Palma, Taxco


A drypoint etching in sepia ink. Pencil signed in the lower right, pencil editioned and titled in the lower left. Edition of 100. Plate measures 8 7/8 x 6 3/4 inches on 11 1/2 x 9 inch laid paper. A charming and well inked print with plate toning and careful attention to detail.

Abstract Color Woodblock


This color woodblock print measures 3 3/4 x 2 5/8 inches on 4 7/8 x 3 1/2 inch wove paper adhered to a 6 x 5 inch Uchima embossed portfolio. Pencil signed and dated December 1970. A simple, yet intriguing modern print using traditional woodblock techniques. Born in California, Uchima returned to Japan at age nineteen, where he worked as a translator for a print collector and discovered the sosaku-hanga (creative print) movement, which incorporated a Western modernist aesthetic. Uchima's work is included in many permanent collections, including the Metropolitan Museum of Art, National Gallery of Art, and the Whitney Museum.

Le Soldat des Régions Envahies


This is a dramatic lithograph of a group of soldiers in the midst of battle in France during WWI. The title means roughly "the soldier from the invaded region." The image size measures 17 x 12 inches in a black 24 1/2 x 18 1/2 inch frame. Plate signed in the lower right. Hand signed and numbered. Lucien Jonas was an official military artist in France during WWI and traveled extensively through the front lines, creating many paintings, drawings and prints depicting the heroism and bravery of the soldiers on the front lines.

Towers of San Gimignano


This is an etching and aquatint from 1932. Plate measures 10 3/4 x 7 1/8 inches on 14 3/8 x 9 1/2 inch watermarked laid type paper. Pencil signed and dated 1932 in the lower right, and signed again in the lower left. Inscribed in the lower left: "To my dear friend Kerr Eby" Catalog: Fletcher 250. #24 in his Italian Series. A dramatic print with movement and meticulous linework.



This is a drypoint etching from 1927. First state, edition of 50. Plate measures 13 1/2 x 9 7/8 inches on 16 1/4 x 13 1/8 inch thin laid paper. Printed by Frederick Reynolds. Catalog: Fletcher 186. # 10 in his French Church series. Pencil signed and dated in the lower right, plate signed and dated in the lower right. An atmospheric and incredibly detailed etching with a rich drypoint burr.

Coastal Fishing Village


Drypoint etching after Rudolf F. Bunner. Plate monogrammed by Share in the lower right, signed by Bunner in the lower left. Pencil signed by both. Plate measures 10 1/2 x 16 1/2 inches on 15 x 19 inch laid paper. Inscribed in the lower left: "Copyright 1886 by C. Klackner, 17 E. 17th St, N.Y." This print has excellent detail, plate toning, and a rich drypoint burr.

New England Woods in Winter


This is a signed oil on canvas painting , measuring 17 x 11 1/4 inches in a in a period oak frame. William Preston Phelps was a plein air painter, known as the "Painter of Monadnock." He spent most of his life in Dublin and Chesham, NH, and he painted many landscapes of farms, fields, and forests, on and around Mount Monadnock. In 1876, he traveled to Europe and began studying at the Royal Academy of Art in Munich. He later moved and lived on the family farm in New Hampshire

A Summer Day


This is a 9 x 12 inch oil on canvas in an ornate gold 15 x 18 1/4 inch frame, signed "G. A Hays" in the lower left. The title and date of creation are inscribed on the back. C. 1909. George Arthur Hays was born in Greenville, New Hampshire and spent his adult life in Providence, becoming one of Rhode Island's most popular 19th century artists. Hays self taught and was a member of the Providence Art Club, where he exhibited from 1888 to 1940, the Society for Independent Artists, the Copley Society, and the Providence Water Color Club. He painted in both watercolor and oil and is known for his bucolic landscapes of cows and sheep.