This lovely oil on canvas by the New England artist Joseph Lindon Smith measures 12 x 9 inches, title and artist inscribed on the back, housed in a 19th century gilt frame, 1894. Smith was a founding member of the Dublin Art Colony in Dublin, NH and lifelong friends with the artist Frank Benson and Isabella Stewart Gardner. He studied at the School of the Museum of Fine Arts in Boston and the Academie Julian in Paris.
Sarah Louisa Kilpack, English, 1839-1909, "Mt St Michel ,Jersey". c. 1880, by British artist, Sarah Louisa Kilpack, measuring 13 x 10 inches with sight size 4 3/4 x 8 1/4 inches, signed l.l., framed, oil on paper on board, location written on backing. Born in London in 1839, at an early age Sarah Louisa Kilpack was recognized as a talented pianist and artist, but after a series of misfortunes she had to give up the piano and concentrated exclusively on her painting.
A wonderful painting by the "father of Russian Futurism", David Burliuk. Oil on canvas board, 13 x 13 inches, framed, signed on the lower left. Painted with heavy impasto brushwork. Burliuk studied at the Royal Academy in Munich and at the École des Beaux-Arts in Paris. In his most active period he participated in many important avant-garde exhibitions in Kyiv, Moscow, St. Petersburg, and Munich. The appearance of the Futurists, as they called themselves, liked to wear gaudy waistcoats, sometimes painted animals on their faces, and wore wooden spoons in their lapels.
William Preston Phelps was a plein air painter. In 1876, he travelled to Europe and began studying at the Royal Academy of Art in Munich. He later moved to New York and then back to Europe with his friend William Meritt Chase. Framed oil on canvas, 25 x 48 inches. Provenance originally sold by Doll & Richards, label on back. Painting is in original custom frame. Signed in the lower right with the word "munchen," meaning it was painted in Munich. Circa 1879.
This is a very fine original 19th Century painting in the style of Marinus Adrianus Koekkoek (1807-1868). Oil on panel, 7 1/4 x 8 7/8 inches, c. 1850, unsigned, in an ornate period gilt frame. Although this painting is unsigned, the style and subject are very reminiscent of the work of Dutch artist Marinus Adrianus Koekkoek, who was known for his delicately painted atmospheric landscapes.
This original landscape by H. Wayland depicts a child walking along a peaceful country lane. An oil on canvas measuring 12 x 23 inches with the artists' signature in the lower right and a brass plaque with the artists name on the lower center. It appears to be housed in its original frame. Title is on the reverse.
A lovely scene of the Dutch countryside during summer harvest by Berend Adrianus Bongers. The painting size is 14 3/4 x 28 3/4 inches and is housed in a period frame measuring 25 1/2 x 39 inches. Signed by the artist on the lower right with a date of "1906" found on the back of the frame. Bongers was a "Delft" master and painted in the manner of the "Hague School" where views of domestic life and its daily activities were often painted. Educated at the Academy of Art in The Hague, he painted landscapes, portraits, genre scenes and still lifes.
Oil on Academy Board, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/München" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.
A lovely atmospheric oil on wood panel by the Dutch artist Julius Jacobus van de Sande Bakhuyzen. Image size is 6 3/4 x 10 5/8 inches, framed size is 10 3/4 x 14 1/2 inches, signed l.l., housed in a period qilt frame, c. 1890. Bakhuyzen was born in 1835 in Holland, the son of a well known painter, Hendrik van de Sande Bakhuyzen, who instucted him until he entered the Royal Academy of Art in The Hague.
This is an incredibly detailed, atmospheric Norwegian landscape of a small cabin at the edge of a fjord, the distant hills fading into a soft morning mist. It is painted in oil on panel, 11 x 16 inches, 1871, clearly signed "A Rasmussen 71" in the lower right corner, in an ornate period gilt frame.