20th Century European

A delicate drypoint, this intimate view of childhood incorporates a low perspective, as if from that of a child. Part of an edition of 50, it measures 9 7/8 x 6 7/8 inches and is signed in pencil "S. Tushingham" lower right. (Konody-37)

Etching, image size 5 3/4 x 7 3/4 inches, c. 1930, indistinct pencil signature.

Etching, image size 9 5/8 x 6 1/2 inches, 1961, pencil signed and dated, titled indistinctly.

Etching, image size: 19 3/4 x 14 inches, published by Alfred Bell and Co., London, 1928, blindstamp lower left, pencil signed lower right

Drypoint etching, image size 14 1/4 x 19 1/2 inches, 1906, ed. of 50, cat. Tabanelli-165, pencil signed, framed

Etching, image size 5 5/8 x 10 inches, 1904, cat. Saunier 332, initialed in plate upper left

10 5/8 x 7 3/4 inch lithograph on thin wove-type paper. Unsigned, inscription in German on back.

This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century.

Etching, image size: 8 7/8 x 5 1/4 inches, 1928, pencil signed lower right

"Marshes" is an atmospheric landscape by Sydney MacKenzie Litten done in an edition of 80. It measures 7 7/8 x 14 3/4 inches and is pencil signed on the lower margin. While attending the Royal College of Art in London, Litten became a pupil of Frank Short, who is credited with the revival of the messotint and aquatint process in England. Litten became well known for his landscapes and their sense of space and his architectual views. Living in London he became the Senior Master at the St. Martins School of Art.