Nascaupee Indian
Etching measure 8 x 6 inches, printed on Whatman & Hodamura laid-type paper. ed. 150. Catalog Ordeman 210. Pencil signed.
Etching measure 8 x 6 inches, printed on Whatman & Hodamura laid-type paper. ed. 150. Catalog Ordeman 210. Pencil signed.
Etching measures 5 1/2 x 4 inches. Pencil titled and signed. Artist copyright and signature on plate in the lower left corner. Provenance Findlay Galleries, Inc., Chicago.
Drypoint etching measures 7 3/4 x 9 inches. Pencil signed and titled. Ed. 100. Artist copyright in the lower left corner.
Color etching printed in 1925 on watermarked laid-type paper. Ed 280, cat: Novak 437. Artists' cipher in two places. Pencil signed and titled. Measures 17 x 22 inches.
T.F.Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of Fine Arts. Simon was an exceptional painter and printmaker, and is best known for his atmospheric color etchings and aquatints.
C. 1914. Plate signed and dated in the lower left. Plate measures 10 1/2 x 8 1/2 inches on 12 1/4 x 10 inch medium weight wove type paper. This print has excellent tonal range. After the oil painting "The Prayer Without End" by Nicolaes Maes, c. 1656.
Plate signed and titled. Printed on watermarked laid-type paper, 8 x 10 inches. Burridge studied at the Royal College of Art under Frank Short from 1857 to 1945. He then taught as Head of Liverpool School of Art, 1897-1905, and as Principal of the Liverpool City School of Art, 1905-12, before returning to London as Principal of the Central School of Arts and Crafts, 1912-30. He produced etchings and mezzotints of landscapes and coastal scenes often featuring low horizons and dramatic, stormy skies.
Pencil signed in the lower left corner, etching measures 4 3/8 x 9 1/8 inches on laid-type paper.
Pencil signed, printed in 1923. 6 x 8 inches on 9 3/4 x 12 3/4 laid-type paper. Kuhler was one of the best known industrial designers of the American railroads. He learned etching after World War I and enrolled at the Academy of Art in Düsseldorf.
Pencil signed etching on laid-type paper c. 1929. 7 1/2 x 13 1/2 inches on 11 x 17 1/4 paper. Malcolm Osborne was known for his prints of landscapes, urban views and portraits. Between 1901-1906 he studied etching and engraving under Sir Frank Short at the Royal College of Art in South Kensington. During 1918 he was elected Associate Engraver of the Royal Academy and succeeded Sir Frank Short as the Head of the etching and engraving school when Short retired, and he was elected a full member of the Royal Academy in 1926.
Etching ca. 1919. Printed on laid-type paper, pencil and plate signed in the bottom right corner. This print is very rate: it is the second state out of three, and is one of only two proofs of this state. The etching depicts Glanworth Castle in Cork, Ireland. Image measures 8 x 15 1/4 inches on 11 1/4 x 18 inch paper.
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