Etchings

A drypoint etching C. 1927. Numbered 64 in an edition of 75. Pencil editioned in the lower left, signed in the lower right. Plate initialed and dated in the lower right. Plate measures 6 3/4 x 10 3/4 inches on 8 x 12 3/4 inch laid paper. This print has a rich drypoint burr and unique, lively linework.

A drypoint etching C. 1920. Pencil signed and dated in the lower right, plate signed and dated in the lower left. Plate measures 8 x 11 3/4 inches on 9 3/4 x 15 3/4 inch wove paper. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

A drypoint etching from 1909. The scene is of Crèvecœur, as is written in the plate in the upper left alongside the date. Catalog: G 369. Pencil signed in the lower right numbered 33/40. Sagot blindstamp in the lower right just below the signature. Plate measures 9 1/4 x 11 1/4 inches on 11 1/8 x 14 3/4 inch thin wove paper. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries.

A well inked drypoint etching from 1915. Plate measures 7 1/2 x 10 3/4 inches on 10 1/2 x 14 1/8 inch watermarked laid paper. Plate signed in the lower left. Pencil numbered 22/50 in the lower left with the artist's stamp next to it. Catalog: G. 433. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn-Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.

A drypoint etching from 1910. Catalog: G-373. Plate signed. The exquisite shading in this print exemplifies Lepere's mastery of the medium. The plate measures 7 1/8 x 9 inches on 9 7/8 x 12 1/2 inch paper. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn-Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.

An etching with a rich drypoint burr. Plate measures 5 x 6 3/4 inches 8 x 10 1/2 inch laid paper. Signed in the lower right, titled in the lower left.

Pencil signed in the lower right, plate inscribed "No. 3" in the lower right below the image. Plate measures 5 1/4 x 7 inches on 8 1/4 x 10 1/4 inch paper. Despite his very short life, Yvon Monay established a strong reputation throughout France for his fine paintings and etchings of landscapes, still lifes and figure studies. A nephew of the painter, Pierre Monay, Yvon Monay exhibited his art in Paris, Lausanne and elsewhere from 1944 until the year of his death in 1954.

A drypoint etching from 1920. Catalog: B-223. Pencil signed in the lower right. Plate 7 3/4 x 12 3/4 inches on 11 1/2 x 16 inch watermarked laid paper. A richly inked impression with a rich drypoint burr. Soper was a master at showing Horses at work in the old British farm lands.

A drypoint etching from 1912. Pencil signed in the lower right. A richly inked impression with a rich drypoint burr. Plate measures 7 7/8 x 11 7/8 inches on 10 1/8 x 15 5/8 inch watermarked laid paper. Artist's proof. Provenance Staton's Galleries. This is a 6 horse team pulling a logging truck. One horse is out back. Soper was a master at showing Horses at work in the old British farm lands.

This is a drypoint etching from 1910. Pencil signed in the lower right, plate signed in the lower right. Pencil numbered in the lower left 9/50. Plate measures 9 1/2 x 8 inches on chine colle.