Prints

A fine example of the Drypoint work of French artist Jacques VIllon. The title of this work is :"L'Epingle A Chapeau", the hat pin. This image was created and printed in 1909. The image is editioned lower left as 12/20. A rare image. The drypoint measures 15X12 inches, printed on a medium weight, watermarked, laid type paper. very fine condition, a rich impression showing a velvet burr of ink throughout the figure.
This drypoint is clearly signed in pencil by the artist lower right border.

This is the famous self portrait by the Belgian printmaker, Jules de Bruycker.  The setting is within his studio with a view of Ghent behind.  The artist at work, this image was created and printed in 1925 in an edition of 125.  The image measures 15 1/4X11 1/4 inches, printed on a wove type sheet which measures 22 1/2X15 1/2 inches.  Hand signed, inscribed  and dated in pencil in the lower margin.

Engraving, image size: 26 1/2 x 15 1/4 inches, prov. JW Randall, Coll. 4022, 17th Century impression

This is an original etching, and aquatint by French master Georges Rouault. The title of this work is "Chantez Matines,le jour renait"< (Sing Matins, a new day is born) This etching was created in 1922 as part of the Miserere series. This is plate number 29. It was published by Vollard in an edition of 450. It is signed lower left corner of the image. This etching was never pencil signed. It appears in the C& R catalog as number 82d., The image measures 20 X 14 5/8 inches. Nice condition, a line of toning in the border from an earlier window mat.

This is one of the finest works by John Taylor Arms etching and aquatint.  It was created and printed in 1940 as image number 1 of his Scandinavian Series.  Pencil signed twice, dedicated to William Schaldach, lower border.  The image measures 7 9/16X13 9/16 inches.  It appears in the Fletcher catalog as image number 346.  It is the third state of three from the edition of 330 impressions.  Printed by David Strang.  This image won 5 prizes between 1941-1948,  Incredible detail, nicely framed with archival materials.

This is a very fine impression of the well known Whistler etching, "The Rag Gatherers", created and printed in 1857, this etching is plate signed, on the right side of the image. The image measures 6X3 1/2 inches. It is the fifth state of 5 with the edition of the two children in the interior space. This etching came to us framed with the Kennedy Galleries label on the back. Excellent condition, apparently printed on an antique laid type paper.

This is an original etching by French Master Georges Rouault. The title of this work is: "Sunt lacrymae rerum " ( There are tears in things ) This etching and aquatint was created for the Miserere series in 1926 as image number 27. . The platemark measures 24 1/4 17 1/2 inches. It was published in an edition of 450 on arches wove type paper by Ambroise Vollard. His Vollard watermark appears in the sheet. The etching is signed and dated in the image in the lower right. This etching was never hand signed by the artist.

Etching, image size 14 1/4 x 6 inches, signed and dedicated in pen "A Mon Ami Mil..." (To My Friend Mil...).

This 1878 etching by the Dutch artist, Johan Barthold Jongkind, measures 5 3/4 x 9 1/8 inches, plate signed and dated. Early proof before letters, D-20, II/IV.

This is a very scarce etching by Welsh artist Augustus John.  The subject is a Portrait of Benjamin Evans,  Benjamin Evans is thought to have been etched during Augustus John’s stay in Liverpool, where he taught at the University from 1901-1902.  This image is pencil signed by the artist and has a platemark measuring 5X4 inches.  Very richly printed some very light but even toning to the sheet.  This etching was not published in a formal edition until issued by Knewstub through his Chenil Gallery in 1906, when 25 proofs were printed from this plate. The plate was then cancelled. This image appears in the CD catalog as image number 14.

Original etching and drypoint by French artist of the Belle Epoque era, James Jacques Tissot.  The title is: L'Ete, this image was created and printed in 1878 in an edition of 100 unsigned proofs.  The image measures 14 3/4X8 3/8 inches.  Printed on a cream toned laid paper. The sitter is Kathleen "Kate" Newton (1854-1882), Tissot's Irish muse and mistress from 1871-82. Tissot portrayed her as a personification of summer in this etching. This image appears in the Wentworth catalog as image no. 43...A very fine impression in an archival picture frame.

This is an extremely rare lithograph by American artist Louis Lozowick.  The title is: Skating, a view of Central Park in Winter.  This image is hand signed and titled in pencil.  It was published in an edition of 10 or less For the Federal Art Project, New York City.  In the bottom border next to the title is a very faint, faded, WPA stamp.  There is some old glued residue at the upper back of the sheet, it is not visible on the image side.  Overall in very fine condition.  This image appears in the Flint catalog as image number 139.  Printed on a medium weight wove type sheet.

This is a fine image from the series, Churches of France by American artist John Taylor Arms, created and printed in 1921 in an over all edition of 75.  This pencil signed impression measures 4 7/8X8 1/8 inches.  Printed by Frederick Reynolds, this is an early proof prior to the edition which was printed in 1937.  Part of his Gargoyle series #3.  Framed with archival boards.  Fletcher catalog number 101.

This is a scarce original lithograph by American artist Rockwell Kent.  The title is: Foreboding, created and printed in 1926.  The edition of this image was only 50, appearing in the Jones catalog as image number 8, the image measures 11X5 3/8 inches.  Hand signed in pencil lower right border, printed on a Japanese paper.  This print was reproduced in Vanity Fair to illustrate the poem Elaine by Edna st. Vincent Millay.  A transfer lithograph on zink...A very early image by this well known artist and printmaker.

This is a fine pencil signed and dated  lithograph by American artist Yasuo Kuniyoshi.  This image created and printed in 1928, has an image size of 11X6 inches, printed on an ivory toned chine colle, adhered to a thicker supporting sheet.  This lithograph is numbered as 28/30.  Very fine condition apart from a line of toning in the border where an earlier window mat once lay.  Catalog as Davis L-30.