Prints

This is a fine original etching by American Ex Pat, Mary Cassatt.  The title is: Looking into the Hand Mirror, No. 3.  It was created and printed in 1905, done in drypoint on an antique thin laid type paper, unsigned as typical of this image.  The image measures 8 3/4X5 1/4 inches.  This image appears in the Breeskin catalog as image number 202.  Very light toning to the sheet, some imperfections in the paper from when it was produced, unobtrusive .  A fine impression of this well known image.  "Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny, Pennsylvania, but lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. "  Nice custom Framed..

A very rare lithograph by the British artist Edmund Blampied measuring 17 1/2 x 14 inches, pencil signed and numbered 3/3. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.

This is a fine original etching by British artist Gerald Brockhurst, The title is La Tresse, a portrait of his wife Anais done in 1926.  This image is pencil signed and has an image size of 8 3/8X 6 7/8 inches.  Cat. Fletcher 56.  Nicely framed with archival materials.

This is a fine pencil signed etching by American artist John Sloan.  This image is titled: Bandit's Cave, created and  printed in 1920 as a presentation print for the New Republic Portfolio of six etchings.  The image measures 7X5 inches, very nice condition.  Printed in an edition of 500.  Morse 195.

This 1875 etching by Johan Barthold Jongkind measures 5 3/4 x 8 3/4 inches, plate signed and dated, IV/VI, J-19. Title, publisher and artist printed below image. Framed.

This is a fine original lithograph by American artist William S. Schwartz.  The title is: Portrait of the Artist's Wife and her Grandfather.  THis lithograph was created and printed in 1929.  The image measures 21 1/4X16 5/8 inches.  Hand signed in pencil lower left and also signed within the plate.  William S. Schwartz was born in Smorgon, Russia, February 23, 1896.  He immigrated to the USA at the age of 17 and became a successful artist moving to Chicago and studying at the Art Institute.

This is a fine award winning etching by American artist John Taylor Arms.  The title is: Reflections at Finchingfield, it was created and printed in  1938.  From his English Series, this is the 2nd state of two, printed by David Strang in an edition of 100 as inscribed on the etching lower left also hand signed and dated in pencil lower right border.  This large etching measures 7 1/16X17 1/8 inches.  Found in the Fletcher catalog as image number 311.  This image won prices from the Chicago Society of Etchers, the Lotus Club and Northwest Printmakers.  One of his finest images with the  incredible reflection found in the pond below the buildings. ( our photo doesnt show a fraction of the image on the right side, this etching is overall complete with good borders all around.

This is a fine experimental etching by American artist Joseph Pennell.  The title is: Whitehall Court, created and printed in  1903 in an edition of 60.  The image measures 10 1/2X8 inches. The lights of the Charing Cross Bridge in the foreground and reflected in the water.  This image is in the Wuerth catalog as image number 275, pencil signed lower border, printed on a light weight laid type sheet.  A well inked impression.  This etching was last sold by Frederick Keppel in New York, the original label is included.

Aquatint, image size 10 1/2 x 16 1/4 inches, 1918, cat. Hardie-163, pencil signed. One of Short's largest aquatints, this scene depicts two fishermen on the Bure at Stokesby Ferry near Acle in Norfolk.

This is a fine industrial etching by American artist   Otto Kuhler.   "Monster & Midgets". 1928. The image measures 9 3/8 x 12 7/8. inches.  Etching. Signed in pencil. Edition: 75. Excellent condition. Although best known for his industrial Designs, Otto Kuhler  is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's. "This merging of industry and art proved so successful that after years of submitting designs, a locomotive based on Kuhler's designs was built. The engine, Hiawatha, rolled out of the Schenectady, New York yard in May, 1935. It was the first streamlined steam locomotive to be built from scratch in America. This signaled the start of the next phase of his career- as a successful industrial designer."

This is an original etching by American artist Otto Kuhler.  The title is: The Queen and the Slaves, created and printed in 1926.  This impression is pencil signed and inscribed as "Trial Proof, ltd edition 10 proofs", 1926.  The image measures 9 1/2 X13 1/4 inches.  Fine use of plate tone in the sea and sky.  The subject is the German liner, Breman.  The later published edition done in 1930 was of only 40 ...

Etching with drypoint, image size 9 1/4 x 11 1/2, 1934, edition of 40, pencil signed and numbered. This print is also in the MoMA collection.

This is  a finely detailed  etching by British artist Stanley Badmin.  The title is Richmond Bridge, created and printed in 1931 in an edition of 50, this impression is 4/50.  The image measures 4 3/8X6 3/8 inches.  Hand signed in pencil S.R. Badmin.  This image appears as number 24 in the Beetles catalog.  Published by the Twenty-One Gallery. Exhibited:Royal Academy ofArts, 1931. Royal Society of Painter-Etchers and Engravers, 1932. Art Institute of Chicago, March - May, 1932. Illustrated: The Studio Nov. 1931,  Printed on a medium weight wove type sheet.

Lithograph, (c. 1942), pencil signed, image size 7 1/2x11 3/4

This is an original etching and aquatint by American artist Kerr Eby.  The subject is Eby's home which he named Driftway, in Westport Connecticut.  This etching is hand signed in pencil and has an image size of 8 3/8X15 3/8 inches.  Printed in an edition of 100 in 1939.  This image appears in the Giardina catalog as image number 196.  Printed on a medium weight laid type paper.