Port of Nice
Etching, image size: 3 7/8 x 5 inches, 1888, cat. schneider-145, pencil signed lower right.
Etching, image size: 3 7/8 x 5 inches, 1888, cat. schneider-145, pencil signed lower right.
A finely detailed original etching, this image measures 4 1/2 x 7 1/8 inches, published by Klackner in 1883, cat: Gilcrease-47, monogrammed in the plate. Thomas Moran was a leading artist of the American etching revival, and in 1877 was one of the founders of the New York Etching Club. Moran was known for his experimentation in all aspects of the etching process, and his ability to beautifully capture the atmosphere and energy of the American landscape.
Etching after Daniel Ridgway Knight, image size 4 x 6 inches, pencil signed, framed.
Etching, image size 9 5/8 x 13 1/2 inches, plate signed and dated l.l. "Stephen Parrish 1883".
Etching, image size: 7 3/16 x 9 3/4 inches, 1888, plate signed lower right
Etching, image size: 10 11/16 x 8 1/8 inches, 1888, plate signed
Etching, image size: 12 13/16 x 21 3/4 inches, 1886, pencil signed lower right
Engraving by Cornelius Tiebout (1770-1830) after Stuart, image size 20 1/8 x 13 inches, sheet size 25 x 18 inches. This engraving is after the "Landsdowne" portrait, named for the British nobleman who commissioned the original painting by Stuart. It was first published by Tiebout in 1801. This is a later re-strike issued by William Smith, Philadelphia, c. 1865.
Etching, image size 6 1/2 x 6 3/4 inches, 1889, pencil signed, published by Klackner, NY.
Etching, image size 4 x 5 1/2 inches, plate signed l.l.
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