Engraving by Fabio Berardi, after Giuseppe Zais. The italian inscription at the bottom reads "there is no lack of escort to the wise traveler." Print measures 8 3/4 x 13 inches on 9 1/2 x 13 7/8 inch laid type paper.
Conte engraving by Roubillac, printed by Le Clere. "Roubillac Sculp" in the lower right. Print measures 8 1/2 x 6 1/4 on chine colle. This engraving is very rare!
Engraving after Claude Lorrain. C. 1700. Print measures 9 x 13 inches on wove type paper.
Drypoint etching from 1660. Catalog: Hollstein, Bartsch 34. 3rd state of 5. Inscribed in the lower left is the printer's address: "I Covens et C. Mortier Excudit." Pencil signed "Etch'd by Bega" in the lower right. Plate measures 7 x 6 inches, thread margins on a backing sheet.
This 17th century engraving by the Dutch artist, Cornelius Visscher, measures 9 7/8 x 8 1/2 inches, c.1655, on laid paper with partial collectors seal on back. "A.V. Oftade pinxit et excud., C. Visscher fecit aqua forti. and Ger. Valk Excudit" printed on bottom margin. Born into the city of Haarlem during the early decades of the 17th century where a diverse artistic community prospered, Visscher became one of the most accomplished and celebrated printmakers of the time.
This is an original engraving by Paulus Pontius after the painting by Anthony Van Dyck. The image size is 9 5/8 x 6 3/4 inches, c. 1700s, inscribed "Ant. van Dyck pinxit" and "Paul. du pont sculpt" in the lower left margin, with the title and a phrase in Latin below the image, with the original Kennedy Gallery label. Stalbent was a Flemish landscape painter and friend of Anthony Van Dyck when this portrait was painted.
This etching attributed to Stefano della Bella measures 6 1/2 x 8 3/8 inches. Bella was an Italian painter and printmaker, studying in Rome under the patronage of the Medici Family.
This rare artist proof by John Sartain, after Forli, was published by William Young Ottley in Loudon, Sept 1, 1826. It measures 14 x 12 inches and is on medium weight paper. The images for this engraving were part of a paintng in fresco formerly in the Vault of the Church of S.S. Apostoli at Rome; and now preserved in the Palace at Monte-Cavallo. This information is printed on the lower margin with a plate number on the upper margin.
Wood engraving with accompanying text on both sides of the sheet, attributed to Jost Amman, unsigned, numbered 33 below the image, framed.
This illustrative page from "The Great Mirror of Folly", 1720, was a volume of text with 76 engraved plates, documenting the international joint-stock scandal instigated by John Law. This great "Theater of Folly", representing the origin, progress, and downfall of the South Sea Bubble in France, England and Holland, is a collection of engraved plates with caricatures of the schemes of John Law and the Mississippi Company that lured clients to invest in establishing colonies in Louisiana and Canada with fatal results. Text below the image is in Dutch.