Lithographs

Old Willow, Ogunquit

This Dexter Dawes lithograph measures 11 x 13 5/8 inches. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

The Medical Center

This lithograph by Dexter Dawes measures 12 1/4 x 15 inches and pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Big Maples

A lithograph by Dexter Dawes with a view of Mt. Monadnock seen though two giant maples measures 12 7/8 x 10 1/2 inches. It is pencil signed in the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Twin Towers

This lithograph with a delicate Manhattan skyline in the distance by Dexter Dawes measures 14 x 17 inches and is pencil signed in the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Sugar Maples

This landscape by Dexter Dawes of two majestic oaks measures 9 7/8 x 12 1/2 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

The Mountain Summit

This fine lithograph by Dexter Dawes measures 11 3/4 x 14 1/2 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

A Country Road

This lithograph by Dexter Dawes measures 12 3/4 x 17 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Types Parisiens

Lithograph, image size 9 x 11 inches, plate signed "h.D." l.l., c. 1847. "Chez Bauger & C. R. du Croissant, 16" l.l. Daumier used the comic journal of the time, "Le Charivari", published in 1847, as a venue for his satirical views on the corrupt social and political life of the elite. He was referred to as the "Michelangelo of caricature" by his fellow artists creating over 500 paintings and 1000 drawings in his lifetime, framed. (M)

Love, What?

This lithograph by Jacob Landau measures 11 x 7 1/4 inches, printed on heavy weight paper with wide margins and is pencil signed, titled and numbered. Laudau used art as a means of communicating the triumphant and also the tragic challenges facing humankind which he witnessed first hand while growing up during the Depression, his service in the army and the profound affect the Holocaust had on him. He often presented these unpleasant topics in a way that emphasized the unlimited possibilities of peace and greater understanding.

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