Etching with drypoint, image size 7 18 x 7 7/8 inches, edition of 100, pencil signed, titled and editioned.
Etching with drypoint, image size 7 18 x 7 7/8 inches, edition of 100, pencil signed, titled and editioned.
Lithograph, image size 11 1/2 x 13 1/4 inches, 1924, edition of 100, cat: BPL- 211, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
This etching by the Mid West artist, Charles Dahlgreen measures 7 1/2 x 5 7/8 inches and is pencil signed and titled. Dahlgreen attended the Art Institute of Chicago and studied under Frederick W. Freer. Like many Mid West artists, he spent time in the artists' colony of Brown County, Indiana which was formed in the early 1900s by artists who were attracted by the undisturbed picturesque landscape known as Peaceful Valley.
Etching, image size 5 x 6 1/2 inches, pencil signed and titled "W. Harry Smith" and "Emerson House Concord Mass" l.r.and l.l., plate signed l.l. "W. Harry Smith".
Etching,image size,9 7/8X11 7/8",pencil signed and titled,1927
Etching, image size 6 x 8 1/8 inches, c. 1925, pencil signed.
Lithograph, image size 17 x 11 inches, 1924, edition of 100, cat: BPL-213, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
This original lithograph by Alexander Brook measures 8 x 6 inches and is pencil signed on the l.r. Brook was mainly a landscape, still life and studio nude artist. He painted in the Realist tradition. In 1930 one of his oils won him 2nd prize to Picasso's 1st prize at the Carnegie International exhibition. At the early age of 17 he enrolled in the Art Students League and became friends with many of his fellow art students, including Raphael Soyer and eventually married the well known artist, Peggy Bacon. A Guggenheim Fellowship in 1931 enabled him to travel to Spain, Italy, Germany, Austria, and France, with his work continuing to gather awards. In addition, Brook taught at the Art Students League. His best work was done during his Savannah years (late 30's), where he won 1st prize at the Carnegie Exposition in 1939 for his painting of an impoverished African American shantytown.
A panoramic view with men haying in the foreground, this lithograph measures 9 1/2 x 12 3/4 inches, 1954, pencil signed, dated and titled.
Lithograph, B-152,lithograph on chine colle,9 7/8X6,ed.38,pencil signed
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