Plate signed in the lower left. Signed in ink in the lower right. Edition of 30. Titled and editioned in ink near bottom edge of paper. Print is adhered to matboard. Plate measures 6 1/2 x 8 1/8 inches on 10 1/2 x 13 3/4 inch paper. A sharp, finely detailed etching with rich drypoint burr of daily life on a busy street in Covent Garden Market against the backdrop of St Paul’s Church portico.
Pencil and plate signed in bottom right. Plate size measures 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Featured in Fine Prints of the Year in 1927.
Etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.
Etching, drypoint, image size 6 3/4 x 10 7/8 inches, 1934, pencil signed and plate signed l.r. and l.l. "Muirhead Bone".
Etching, image size 4 1/2 x 6 7/8 inches, 1901, Dodgson 101, edition of about 90, plate signed l.l. "Muirhead Bone". the published edition of 90 proofs was not pencil signed.
Plate signed and dated 1920. Signed "Lumsden imp" indicating that the artist printed it himself. A skillfully done portrait with a rich drypoint burr. Plate measures 5 7/8 inches x 8 1/4 inches on 9 1/4 x 11 1/8 inch thin watermarked laid type paper. The subject is the Reverend Nathaniel Royds, the father-in-law of the artist.
Etching Dry-Point, image size 4 5/8 x 6 3/8 inches, Hardie 157, 1919, edition of 100, blind stamp, pencil signed.
Etching on laid-type paper, printed in brown-toned ink. Pencil signed in the lower right. C. 1925.
Image measures 9 3/4 x 7 inches, sheet size measures 15 x 12 inches.
A delicately rendered original etching with drypoint, plate size 5 3/8 x 7 3/8 inches, published in 1923, cat: Dickins-78, pencil signed. Walcot was born in Russia, the son of a British father and Russian mother. His family traveled extensively throughout Europe as well as South America, and Walcot was educated in Paris and Russia, graduating with a degree in architecture from the Imperial Academy of the Arts in Moscow. He worked as an architect briefly in Russia before moving to England in 1906. He became well known for his etchings which portray an impressive knowledge of architectural details along with a distinctive impressionistic influence in the atmosphere and immediacy of the images. This scene of York Minster is a great example of this sense of light and atmosphere, the delicate details of the cathedral contrasting with the quickly rendered people in the foreground.
This is an original etching by German Jewish artist Hermann Struck. The title of this work is "Polish Jew", it was created and printed in 1906, pencil signed and editioned as 138/150. The image measures 13 1/4X9 1/2 inches. Nicely framed, good condition. This image is one of his best known works and appears on the cover of the catalog of his etchings.
This is an original color etching and aquatint by Austrian artist Ferdinand-Karl Gold (1882-1981) The title of this work is: Rast im Dorfe, Rest in the Village. It was created and printed circa 1920. Pencil signed and titled lower border. The image measures 11 1/2X15 3/8 inches.
This is an original engraving by British artist Stephen F. Gooden. The title is "Diana", this engraving was created and printed in 1940. The image measures 5 1/2X5 1/2 inches. This engraving is pencil signed and dated lower right, It is editioned as 96/110.
This print was the presentation plate for the Print Club of Rochester, N.Y. Printed on a medium weight wove type paper.
This is an original mezzotint etching by British artist Percival Gaskell. This view of river rapids has an image of 9 1/2X 13 5/8 inches. Pencil signed lower right border, printed on a chin collet adhered to a thicker sheet. Printed with a warm toned ink. Gaskell is one of the best of the early British mezzotint artists.
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