Barry Moser

A very fine wood engraving by Barry Moser, this image measures 4 7/8 x 3 1/2 inches, 1978, pencil signed.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design and his prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of the images in this series of the "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families paid for their dreams of a better life.

Wood Engraving, image size: 6 1/2 x 5 3/4, pencil signed

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design and his prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of the images in this series of the "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families paid for their dreams of a better life.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This wood engraving by Barry Moser is one of 25 images from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. These images all portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design and his prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of these images of the "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families pay for their dreams of a better life.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This is an original wood engraving, pencil signed and numbered 31/100 by American artist and illustrator Barry Moser.  This image is titled: The Eagle, created and printed in 1985.  Its a small highly detailed image, it measures an image size of 2X4 inches, on a sheet size of 6X9 inches,  Printed on a hand made soft wove type paper, possibly mulberry paper.  This was part of a series titled: Master Richard’s Bestiary of Love and Response

This is a fine original wood engraving by American artist Barry Moser.  The subject is a portrait of American modernist artist Leonard Baskin.  This pencil signed impression measures 5X3 inches. Printed on a smooth surfaced wove type sheet, Beautiful condition very wide margins all around.

This is an original wood engraving by American artist Barry Moser.  This image of twelve thistles all printed on a common sheet which measures 6X11 1/2 inches.  It is hand signed in pencil.  Each image measures  approx. 2X1 1/2 inches.  Finely detailed and in mint condition.  Printed on a smooth surface wove type sheet.