Featured Prints

This is an original etching by American artist Gottlob L. Briem (1899-1972)) The title of this work is :Wall Street, N.Y.C." It was created and printed in 1930 in an edition of 100. The image mesres 13 15/16X8 15/16 inches. It is hand signed in pencil lower right.

This is an original woodblock print by American artist Isac Friedlander. it is titled: "Vanquished" it was created and printed in 1938, it is editioned as 1/4 impressions.
The image measures 10X12 inches, printed on a light weight laid type paper. It is hand signed,titled and editioned in pencil in the lower margin. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.

Original etching by the British artist, Arthur Brisco, measuring 6 1/2 x 10 7/8 inches, 1926, signed and numbered; 62/75, cat: Hurst-158. Britain's "General Strike" was the theme of Brisco's dramatic image of "The Orator". The strike, mainly by coal-miners upset with their goverments' reduction in wages and worsening conditions, also included dockers, printers, power station workers and transport workers, thus Brisco's interest in the subject.

This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944.
This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.

This is a very fine drypoint etching by American Sporting artist Frank Benson.  This image is titled: Turnstones, created and printed in 1928 in an edition of 150.  The image measures 7 7/8X11 7/8 inches.  Last sold by Vose Galleries in Boston, the label is on the back of the frame.  A very rich burr in the drypoint, a beautiful image, Benson at his best.  This image appears in the Ordeman catalog as number 283,

This is a rare original etching and drypoint by Scottish artist David Cameron.  The title is: Wingless Chimera, Amiens Cathedral,  it was created and printed in 1911.  Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches.  Printed on a medium weight laid type sheet.  This image was exhibited at the Royal Academy in 1911.  This image appears in the Rinder catalog as image number 416.

This is an original drypoint etching by British artist Sir William Russell Flint.  The title is: Amazons on a Breton Beach, it was created and printed in 1931 in an edition of 76.  This one is editioned as number XXVII from that edition.  The image measures 8X13 1/4inches, printed in an sepia toned ink, hand signed with pen and ink in the lower border.  Nice use of plate tone in the sky and sand.  Illustrated: Salaman, Modern Masters of Etching.

Etching, image size: 11 x 8 1/2 inches, 1915, cat. Wuerth-678, pencil signed lower right

This is a very fine original etching by Stephen Parrish, published by Keppel in 1881. The image size is 12 x 19 inches, cat: Schneider-49, plate signed and titled, pencil signed. According to Schneider, this atmospheric image of the Massachusetts shore was one of Parrish's most popular etchings. This print features a very richly inked impression with beautiful plate tone, printed on a medium weight wove type paper with ample margins.

This is a fine drypoint etching by British artist William Walcot.  This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio.  This etching is hand signed in pencil in the lower border.  The image measures 8 1/4X9 3/4 inches.  Nicely Framed with archival materials.

This is an original drypoint etching by German Expressionist  artist Lovis Corinth (1858-1925)   The title of this work is: "Alter Mann" (the old man) It was created and printed in 1916.  The image measures 6 5/8X4 3/4 inches.  Signed in pencil in the lower border.Printed on a light weight laid type paper, very nice condition.

This is a fine color aquatint etching by French artist Manuel Robbe.  This image is titled: Les Liseuses, created and printed in  1907 in an edition of 100.  Merrill Chase catalog number 54.  The image measures 19X14 1/2 inches, printed on an Arches watermarked laid type sheet.  A beautiful impressionist interior view of two women reading.  Very fine condition.

This is an original etching and aquatint by French artist Georges Rouault. From his Miserere series.  Plate 30: "Nous . . . c'est en sa mort que nous avons été baptisés" / ["Know ye not, that] so many of us [as were batised into Jesus Christ] were baptised into his death?" [John 13: 34] (C & R 83e). Original aquatint, drypoint, burnisher, and roulette. 450 impressions signed bottom left (the date of this print is not visible and there are no pencil-signed proofs) for the Miserere, one of the greatest print cycles of all time. Here we are shown St John the Baptist baptising Jesus while the Holy Spirit in the form of a dove hovers above, confirming the words of St John in plate 28. Image size: 21 1/2X 16 1/2 inches.

Etching and dry point, image size 8 1/2 x 11 1/8 inches, 1906, cat. Schiefler- 55, pencil signed.

This is an original etching and aquatint by French artist Georges Rouault, take from his Miserere Series.   Plate 56: En ces temps noirs de jactance et d'incroyance, Notre Dame de la Fin des Terres Vigilante / In these dark times of vainglory and unbelief, Our Lady of the Ends of the Earth keeps watch (C&R. 109c). Original aquatint, drypoint, burnisher, roulette, scraper, 1927. 450 impressions for the Miserere, Rouault's masterpiece and one of the most important series of the twentieth century. Signed in the plate and dated 1927 at lower center left (there are no pencil-signed proofs). A beautiful impression of this climactic image. Image size: 23X17 inches.