Featured Artwork

This is a fine original drypoint etching by Scottish artist David Y. Cameron.  The title of this etching is: Craigievar Castle, It was created and printed in 1908.  The image measures 9 1/2X13 3/4 inches.  It is pencil signed lower right border.  printed on a medium weight laid type paper.  Very richly printed.  This image appears in the Rinder catalog as image number 402.  The thired state of three.  The setting is amoung the scenic rolling foothills of the Grampian Mountains south of Alford, Aberdeenshire, Scotland.

This is an original etching by British artist James McBey.  The title is: Laguna Veneta, it was created and printed in 1924.  The image measures 7X147/8 inches.   Hand signed in sepia ink, Numbered lower left XX.  Fine use of plate tone in the sea and sky.  Printed on an antique laid type paper.  This image appears in the Salaman catalog as image number 73.  Last sold by M. Knoedler and Co in New York.

This is an original drypoint etching by French artist Maurice de Vlaminck (1876-1958)  The title of this etching is: Village de Louvillers-les-Perches.  It was created and printed in 1926 in an edition of 75.  The image measures 8 3/4X12 5/8 inches.  This etching is hand signed in pencil by the artist and published by Marcel Guiot, Paris.  This town is located in the Loire Valley.  This etching is nicely framed with archival materials.

This is an original period printing of The Antoni Waterloo etching, Mercury and Argus.  This etching is the 2nd state of three showing the artist initials upper left corner, a proof before letters, The image is in the Barsch catalog as image number 127ii.  The image measures 11 1/2X9 1/2 inches.  The sheet measures 14X11 1/8 inches.   Collectors annotations and stamps on the back of the sheet, From the A. Coppenrath and Frierich Kalla, Moscow collection.  Good condition some light foxing.  Printed on an early laid paper with a Clown and Fools Cap watermark in the sheet.  A rare untouched impression, good borders all around.

Etching, image size 20 x 9 inches, 1887, remarque lower left, pencil signed lower right, published by Klackner, New York

This is an original Revolutionary war period engraving by Robert Pollard .   The subject is: "Lady Harriet Ackland Harrowed on the Hudson" In 1777.  This engraving is hand colored and appears to be a period printing done in London in 1784.  The image measures 15 1/4X20 5/8 inches.  The sheet has been professionally adhered to a support sheet and a few tears in the lower margin have been repaired. The borders on three sides have been trimmed to just outside the platemark.  The writing under the image appears to be complete.  The Engravers information appears just under the image: London: Robert Pollard, Brayne’s Row Spa Fields, 1784. Overall this is a very presentable engraving just as it now appears.  "A scarce engraving celebrating the pluck of Lady Harriet Ackland, shown here in a boat on the Hudson River going to the aid of her injured husband, who was captured by the Americans during the Battle of Saratoga.

This is a fine original lithograph by American artist Don Freeman.  The title is: First Night Ovation,  created and printed in 1933 in an edition of 25.  Both pencil signed and titled in the lower border, this image measures 11 5/8X13 7/8 inches.  "In this first night audience, Heywood Broun turns to greet a friend seated behind him, Otto Kahn in top hat is seen at the far right, and above him, critic Percy Hammond rushes to meet a deadline"  This image appears in the Freeman catalog as image number 69.

This is an original oil on tin painting of a young woman.  It is apparently unsigned and so we are calling this 19th century American School.  The painting measures 8X7 inches, it came to us in a period gilt frame which measures 12 1/2X11 1/2 inches.  Expertly painted, this is a fine example of 19th century American portraiture.  

This is an original pencil signed lithograph by European artist Maurice deVlaminck.  The subject is Marine, L'Eglise, it was created and printed circa 1925, Published by Galerie des Peintres Graveurs, Paris with the blind stamp lower right. The image measures 8 7/8X12m 1/4 inches.This image appears in the Walterskirchen catalog as image number 182.

This is an original pencil signed mezzotint by American artist Allesandro Mastro-Valerio.  This study of two bathers at the ocean has an image size of 7X6 3/4 inches.  Numbered as 20/35.  A scarce image by this well known artist and master of the modern mezzotint.  Printed on a heavy weight wove type sheet.  He was a member of the Chicago Society of Etchers,  He is best known for his mezzotint* prints, particularly his female nudes.  His work helped to revive mezzotint as an artistic medium in the United States.

This is a fine hand signed etching by American Artist Stephen Parrish. The title of this work is "Evening, Gloucester, 1883". The image measures 8 5/8X14 inches. This image appears in the Schneider catalog as image number 77. "To the right of the mast is the tower of the 1869 City Hall, still standing, Next to the right is the sharply pointed spire of the Baptist church, now gone. At the far right are the buildings of the Rocky Neck Marine Railways." Fine use of plate tone in the sky and sea.

This is an original etching and aquatint by French modernist Georges Rouault.  The title is: Incantation from Le Reincarnations du Pere Ubu, This was the frontispiece The first etching from the series  Le Reincarnations du Pere Ubu, created and printed in 1928.  This is a rare hand signed impression.  An edition of 225.  The image measures 11 3/4X7 3/4 inches.  Printed on a medium wight wove type paper.

This is an original mezzotint by New York artist Carol Wax.  The title is Singer 1.  It was created and printed in 1984 in an edition of 75.  The image measures 11 7/8X8 1/8 inches.  Hand signed in pencil.  She held a residency at the MacDowell Colony in Peterborough, New Hampshire, in 1986.

Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.

This is an artists proof etching by American artist John Taylor Arms.  The title is Limoges, part of his French Church Series created and printed in 1932.  This etching is hand signed in pencil with an image size of 10 1/16X13 5/8.  This image is inscribed lower right: "Beautiful impression, pulled by D.S. and J.T.A."  Inscribed also as artist proof number III.  Printed on a J. Whatman watermarked laid type paper.  A beautiful impression.