John Taylor Arms

Etching, 1924, image size 6 1/4 X 11 1/4", edition of 150, printed by F.Reynolds, French Church Series, pencil signed. Also called "Byzantine Revsisited" and "The Cathedral of St. Pierre."

Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y. 1943; the First Prize in Black and White Section at the 12th Annual Exhibition of the Irvington Art and Museum Association, Irvington, N. J. 1945; and the First Prize in Black and White at the Annual Art Exhibition of the Bridgeport Art League, Bridgeport, CT. 1945.

Pencil signed and dated etching. Plate measures 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.

An excellent example of the artistry of the American printmaker, John Taylor Arms. This image measures 12 1/4 x 7 3/4 inches, pencil signed and dated 1925, from his Spanish Church Series #5, printed by Frederick Reynolds in an edition of 152, cat: Fletcher 164. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance. He specialized in images of European architecture and cathedrals.

Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.

Etching of Léon, Spain. Trial proof. Pencil signed and dated 1923 in the lower right corner. Print measures 7 1/8 by 11 1/4 inches in a 16 x 19 inch gold frame. #1 in his Spanish Church Series. Catalog: Fletcher 140. Printed by Frederick Reynolds. This plate was done with the assistance of Kerr Eby. This atmospheric print showcases the artist's incredible eye for detail.

Etching by the American artist, John Taylor Arms measuring 14 x 9 1/2 inches, pencil signed, inscribed "Third State" on lower margin, 1929, edition of 100, printed by Henry E. Carling, from the "French Church Series #26", cat: Fletcher-219. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details which gave his etchings a very realistic, almost photographic appearance.

Etching, image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed

Etching,1925,Miniature series,edition of 150,image size 1 7/8X3 1/8",pencil signed,fosterbros frame.

Etching,1927, ed.250, 7 1/2" x 11 5/8", pencil signed

Edition of 110. Catalog: Fletcher 194. C. 1927. Printed by Frederick Reynolds. Italian series #11. Pencil signed and dated 1917 in the bottom right. Plate titled in the lower right. Plate measures 11 1/4 x 5 1/2 inches on 16 1/4 x 10 1/4 inch blue laid type paper. This print has plate toning and enchanting linework.

This is one of the most impressive etchings by American artist  John Taylor Arms.  This image is titled: In Memoriam, the view of the  North Portal of Chartres Cathedral.  It was from his French Church series.   This etching was created and printed in 1939.  It is from the 2nd state of two.  Printed in an edition of 312.  The image measures 14 5/8X12 inches.  Printed on a medium weight wove type paper, Inscribed "to Roger and Belle Worsley", pencil signed and dated and also has a collectors red seal in the lower right corner of the sheet.  This image appears in the Fletcher catalog as image number 317

This is an original etching by American artist John Taylor Arms.  The title is: The Old Order, The Church of Saint Mary and Arlington Row, Bridge over Coln River at Bibury.  This etching was created and printed in 1948 in an edition of 200.  The image measures 5 3/8X8 inches.  Printed by David Strang.  This image appears in the Fletcher catalog as image number 412.  Nice condition, printed on a medium weight laid type paper.

This is an artists proof etching by American artist John Taylor Arms.  The title is Limoges, part of his French Church Series created and printed in 1932.  This etching is hand signed in pencil with an image size of 10 1/16X13 5/8.  This image is inscribed lower right: "Beautiful impression, pulled by D.S. and J.T.A."  Inscribed also as artist proof number III.  Printed on a J. Whatman watermarked laid type paper.  A beautiful impression.

This is a fine example of his Spanish Church Series by American artist John Taylor Arms.  The title is: Puerta Del Obispo, Zamora (The Bishop's Door, Zamora)  This etching was created and printed in 1933.  This image printed on a grey toned, watermarked, laid type paper measures 12 1/2X7 1/8 inches.  It is inscribed "to my friends, mr. and mrs Andrew Daglish"  (The British printmaker and his wife)  The beautifully detailed image appears in the Fletcher catalog as image number 266.