20th Century American

Pencil signed and dated in the lower right corner. Printed in 1936 on wove-type paper. Print measures 8 x 12 inches. The lithograph is of his home near Southbury, Connecticut, when he was snowed in during a blizzard.

Pencil signed etching printed on wove-type paper, 7 x 9 inches.

9 x 6 1/2 inches, printed on laid-type paper. Pencil signed in the lower right corner. C. 1924. Etching of the Point Bridge in Pittsburgh.

Etching measure 8 x 6 inches, printed on Whatman & Hodamura laid-type paper. ed. 150. Catalog Ordeman 210. Pencil signed.

Etching measures 5 1/2 x 4 inches. Pencil titled and signed. Artist copyright and signature on plate in the lower left corner. Provenance Findlay Galleries, Inc., Chicago.

Drypoint etching measures 7 3/4 x 9 inches. Pencil signed and titled. Ed. 100. Artist copyright in the lower left corner.

Plate initialed in the lower right, pencil signed in the lower right. Print 13 in an edition of 50. Plate measures 8 x 6 1/4 inches on 12 1/2 x 9 1/2 inch wove type paper. C. 1942. This is a finely detailed lithograph, with subtle use of shadows that convey moonlight in this quintessential New England scene.

C. 1914. Plate signed and dated in the lower left. Plate measures 10 1/2 x 8 1/2 inches on 12 1/4 x 10 inch medium weight wove type paper. This print has excellent tonal range. After the oil painting "The Prayer Without End" by Nicolaes Maes, c. 1656.

Pencil signed, printed in 1923. 6 x 8 inches on 9 3/4 x 12 3/4 laid-type paper. Kuhler was one of the best known industrial designers of the American railroads. He learned etching after World War I and enrolled at the Academy of Art in Düsseldorf.

Pencil signed, titled, and dated 1947. Inscription in lower left reads "published by A.A.A". Plate measures 8 3/4 x 13 1/4 on 12 1/2 by 17 1/2 inch medium weight wove type paper.