20th Century American Prints

Lithograph, 1946,image size,13 3/4X9",Edition of 250,published by Associated American Artists,Printed by George Miller,pencil signed

Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

This is an original etching by American artist Joseph Pennell. The title of this work is: "Royal Windsor". It was created and printed in 1903 in an edition of 35. The image measures 6X11 inches, printed on a thin laid type paper, some finger prints from the printing in the borders and on the back of the sheet. Pencil signed in the lower border. This image appears in the Wuerth catalog as image number 279.

This is an original wood cut by American artist Leo Meissner.  This unsigned proof is titled: Blecker Street Follies and numbered as 21/30.  The image measures 10X12 1/2 inches.  Printed on a medium weight wove type sheet.  Very fine condition on this rare image.

Etching, image size 7 3/4 x 9 3/4 inches, titled and signed in pencil

Color Etching, c. 1940, ed. less than 25, image size: 7 1/8 x 14 3/4 inches, pencil signed

This is a 1963 lithograph of a scene from Colorado. Catalog 618. Published by the Associated American Artists, edition of 250. Pencil signed in the lower right. The plate measures 9 1/2 x 13 on 12 3/4 x 16 3/4 inch wove paper.
An excellent impression that exemplifies his mastery of tone and texture.

This landscape by Dexter Dawes of two majestic oaks measures 9 7/8 x 12 1/2 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Etching, image size 17 x 13 7/8 inches, 1957, ed. of 25, pencil signed and numbered. The gallery has two impressions of this print, 6/25 and 16/25.

"The Backyard" by Dexter Dawes measures 11 x 15 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This lithograph of the First Congregational Church in Old Lyme measures 12 3/4 x 17 inches. It is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

"The Spire of Lyme" lithograph by Dexter Dawes measures 15 1/4 x 11 1/8 inches. It is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This etching by the American artist Lionel Levy measures 11 x 7 inches, pencil signed, titled and numbered /75, framed.

Etching and engraving, image size 7 x 10 inches, edition of 50, plate signed l.r. "Haskell" and pencil signed l.c. "Ernest Haskell".

This 1927, original drypoint by Louis Rosenberg measures 8 1/4 x 11 3/4 inches and is pencil signed on the l.r. Louis C. Rosenberg was a successful artist and architect; he studied at several prestigious Universities- The University of Oregon, Eugene, the American Academy in Rome, the Royal College of Art, London, and the Massachusetts Institute of Technology, and continued to practice both art and architecture throughout his long career. These walls were built for protection from invaders to the north of Rome by the Emperor Aurelian in 270 AD. Often built in a hurry, they regularly incorporated existing structures like this pyramid built between 18 and 12 BC.