Prints

Wood engraving, image size 8 x 6 inches, 1984, pencil signed

Wood engraving, image size 8 x 6 inches, 1984, pencil signed

Wood engraving, image size 8 x 6 inches, 1984, pencil signed

Mezzotint by John Young(Engraver in Mezzotint to H.R.H. the Prince of Wales) after the painting by George Watson, image size 19 1/2 x 11 3/4 inches, sheet size 22 1/2 x 14 1/4 inches, 1810. The full title reads, "Sergeant Major Patrick Gould, Royal Reg. Edin. Volunteers (Blue) 1794. Published by P. Carol Printseller, South Hanover Street, Edinburgh.

Etching, dated 1891, image size 4 3/4 x 6 1/4 inches,pencil signed

Etching, image size 11 1/4 x 17 1/2 inches, published by C. Klackner 1887, pencil signed.

Etching, image size: 9 1/2 x 12 inches, pencil signed and titled

This is a beautiful original etching of a farmer plowing a field with a team of oxen. The image size is 3 1/2 x 5 5/8 inches, 1875, unsigned. A rich impression on a medium weight laid type paper.

Etching, image size 7 7/8 x 5 7/8 inches, ed. 26/28, pencil signed and titled

Etching, image size 4 7/8 x 5 7/8 inches, 1928, edition of 25, pencil signed, titled and numbered.

Drypoint etching C. 1885. Plate signed and dated in the lower left."The Bridge of Saragossa" inscribed in the lower right. Catalog: Rice 67. Plate measures 4 x 5 7/8 inches on 7 5/8 x 10 3/4 inch wove paper. Printed in brown-toned ink, with plate toning and fine detail.

Etching and aquatint in colors, image size 11 3/4 x 8 3/4 inches, c. 1940, pencil signed.

Etching, image size 14 7/8 x 8 3/4 inches, 1889, published by Klackner, pencil signed. Illustrated in the catalogue "Nineteenth Century American Etchings in the Collection of the Parrish Art Museum" (1987).

Etching, image size 6 3/8 x 9 1/4 inches, 1882, plate initialed l.r. "JHH 1882" and plate signed l.l. "J.W.Hill 73", done after a drawing by the artist's father John William Hill in 1873.

This etching by Paul King measures 9 7/8 x 7 7/8 inches and is pencil signed on the lower margin. Paul King gained professional acclaim early in the 20th century for his seascapes, portraits, landscapes and rural scenes. Becoming an accomplished lithographer while still in his teens he studied with H. Siddens Mowbray in New York and later in Holland with Willy Sluiter and Evert Pieters. He was an illustrator for Life and Harpers Magazines and a book publisher. He received honors for his paintings from the Salmagundi Club and the National Academy of Design.