This is an original pencil signed lithograph by American artist Joseph Pennell, as part of his Panama Canal Series, this image is titled: Official Ancon-Administration Buildings, created and printed in 1912. The inmage measures 22X 16 1/2 inches, on a Fabiano watermarked laid type paper which has a sheet size of 25 1/2X20 1/2 inches.
This is an original pencil signed lithograph by American artist Joseph Pennell. He traveled down to Panama in 1912 to record the building of the Canal. He created a series of lithographic images from that trip. This image is titled: The Cut From Culebra. It was created and printed in 1912 in an edition of 100. The image measures 22 1/2X17 inches on a sheet size of 25 1/2X20 1/2 inches. Printed on a Fabiano watermarked laid type paper.
This is an original pencil signed lithograph by American artist Joseph Pennell. This image is one of his Panama Canal Series that he created in 1912. The image is titled: The Walls of Miraflores Lock, 1912. The image measures 18 1/2X24 3/4 inches, on a Fabiano watermarked laid type paper which measures 20 1/2X25 1/2 inches.
This is an original pencil signed lithograph by American artist Joseph Pennell. One of a series that he created at the Panama Canal construction in 1912. The image measures 16 3/4X22 inches. The title is : Early Morning, Miraflores, Panama. Printed on a Fabiano watermarked laid type sheet which measures 20 1/2X25 1/2 inches.
This is a fine atmospheric etching by American artist Joseph Pennell. The subject is: Caissons on Vesey Street, N.Y. This image was created and printed in 1924, in an edition of 75, pencil signed, also with a collectors name at the upper edge of the sheet. Printed on an antique laid type paper. The image measures 13 3/4X9 1/8 inches. THis subject was the construction of the New York Telephone building, The Barclay Vesey building. The image is in the Wuerth catalog as image number 854.
Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.
This is an original drypoint etching by French artist Jacques Villon. The title is: La Dame au chine. It was created and printed in 1906, this is the 2nd state of 2. The image measures 9 1/2X8 1/2 inches. Catalog entry Ginestet-Pouillon E156. This drypoint is nicely framed. Hand signed in pencil lower border, one small foxing spot in the lower border.
Drypoint etching. Catalog: Beraldi 778. C. 1882. A very detailed etching with meticulous linework and a unique composition. Initialed in ink in the lower left, pencil signed in the lower right. Plate measures 13 3/4 x 10 3/8 inches in a gold colored 21 x 17 inch frame.
This is a rare original etching and drypoint by Scottish artist David Cameron. The title is: Wingless Chimera, Amiens Cathedral, it was created and printed in 1911. Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches. Printed on a medium weight laid type sheet. This image was exhibited at the Royal Academy in 1911. This image appears in the Rinder catalog as image number 416.
A well inked impression with plate toning and a rich drypoint burr. Plate measures 5 1/4 x 7 inches on 7 1/2 x 11 inch laid paper. State IV/V. Catalog: Delteil 1. Published by the Gazette des Beaux-Arts in 1903 to illustrate the obituary article on Corot by Louis Gonse. Printed by A. Salmon in Paris, France in 1875. Plate signed in the lower left. The plate for this image was discovered by Felix Bracquemond in a box of nails in Corot's home.
This is a fine etching with aquatint by French artist Louis Legrand, The subject is: Profils Parisiennes (Two Parisian Women) created and printed in 1890. This impression is hand signed, titled and dedicated in Sepia Ink lower right. The image measures 19 3/4X12 3/4 inches. Some light toning in the borders, the border on the left is trimmed 1/4 inches outside the platemark.
This is an original drypoint etching by British artist Edmund Blampied. The title is Road to the Farm. It was created and printed in an edition of 100 in 1929. The image measures 10 1/4X8 1/8 inches. Hand signed by the artist in pen and ink lower border. Numbered as 98/100. This image was reproduced for the book Fine Prints of the Year, 1929 edition… Catalog: Appleby 149. A fine atmospheric impression, nicely framed with archival materials.
This is an original color etching by Austrian artist T.F. Simon. The title is: Notre Dame De Paris In the Evening, it was created and printed in 1927. Hand signed in pencil the image measures 11 7/8X14 3/4 inches. This image appears in the Novak catalog as image number 464. Printed in an edition of 100 impressions. Very rich inking, printed on a heavy weight wove type sheet. Simon at his atmospheric best. (some cropping occurred during our scan, this etching is clearly signed with 1 1/2 inch borders all around)
This is an original pencil signed and titled lithograph by American Artist Stow Wengenroth. The title is: Abandoned Light, Dark Harbor, Maine, created and printed in 1940 in an edition of 132. The image measures 8 7/16X12 3/4 inches. Very nice condition printed on a medium weight wove type sheet. This image appears in the Stuckey catalog as image number 102.
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