This is a drypoint etching from 1911. The plate measures 7 x 5 1/8 inches in a gold 20 1/4 x 16 1/2 inch frame. Plate signed in the lower right. Pencil numbered in the lower right 16 in an edition of 44. "Artist's proof" in pencil in the lower left. Catalog: A 417, Lugt 1193. Red stamp of the publisher, Gustave Pellet, in the lower right. A fine impression with a rich drypoint burr.
Lithograph, image size: 7 1/2 x 5 3/4 inches, from "Les Hommes Abandonnes," framed
Engraving after Correggio. According to Thies: "Proof, with open and traced letters in a border shaded with horizontal lines. With a stamp of the engraver's initials." Randall 12671, Fogg Museum provenance. Image size 13 3/4 x 11 1/4 inches; plate size 17 x 14 3/8 inches.
This is a fine drypoint etching by American artist Sears Gallagher. The image of Farmers Haying has an image size of 7X8 7/8 inches. This image is hand signed in pencil, done circa 1930, printed on a medium weight wove type sheet.
Drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right
Lithograph, image size 6 1/2 x 8 1/2 inches, 1942, pencil signed l.r. "Karl Mattern '42".
Etching, image size 5 3/8 x 6 3/4 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.
Etching, image size 11 1/4 x 12 1/4 inches, titled and signed in pencil.
Etching, drypoint, image size 6 7/8 x 8 7/8 inches, edition of 100, pencil signed l.r. "Max Kuehne".
Etching from 1910. Catalog: Forster 30. Plate measures 12 1/4 x 8 3/4 inches on 15 x 11 inch laid type paper. Pencil signed in the lower right. This scene in London of the Immaculate Heart of Mary Church, otherwise known as the Brompton Oratory. The domed building in the background is the Royal College of Arts, where Anderson was studying at the time. Edition of 58. A finely detailed and well inked print with a rich drypoint burr.
Etching, image sizes 7 x 5 1/8 inches, 1920, eight original etchings in a portfolio, 12/500, edition in pencil l.l.
This series of thirteen townscapes are images of shipping ports, market places, hotels, busy neighborhoods, historical buildings, castles, and cathedrals all surrounded by the element of water. They show the interplay and the importance of the waterways to the towns and their dependance on each other. Individual prints are titled in Dutch at the top center and were done c. 1660-1690.
Engraving, after the painting by Salvatore Rosa in the Imperial Gallery St. Petersburg; 1st state, pub. Nov.24,1767 No. 41,Boydel, London for the Houghton Gallery; plate size 20 1/4 x 14 7/8 inches; image size 18 1/4 x 14 1/16 inches;
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