Etching, image size 12 1/2 x 10 inches, pencil signed, copyright 1888 by Klackner, NY.
Etching, image size 12 1/2 x 10 inches, pencil signed, copyright 1888 by Klackner, NY.
Pencil signed in the lower right and titled in the lower left. Ca. 1950. Plate measures 4 7/8 x 7 3/8 inches on 9 x 12 1/2 inch wove type paper. This print has good plate toning, lovely crosshatched shading, and a composition that draws the eye to what the figures are looking at.
Lithograph, image size 14 5/8 x 9 inches, 1924, edition of 100, cat: BPL- 220, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
Lithograph, image size 15 3/4 x 10 inches, 1924, edition of 100, cat: BPL- 224, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.
Woodcut, image size 8 x 5 1/2 inches, edition of 80, unsigned.
Etching, image size 9 10/16 x 13 3/8 inches, pencil signed lower right
Etching tipped in to the book "Modern American Etchers: Arthur William Heintzelman," foreword and critical notes by John Taylor Arms, 1927, print in great condition, book has some foxing, pencil signed.
Original etching sold as part of the book.
Etching measures 5 1/2 x 7 1/2 inches in an 11 1/4 12 7/8 inch black frame. C. 1880. Plate initialed and dated in the lower right. Catalog: Klackner 9. Published in 1880 by the American Art Review. A dark and detailed print with a rich drypoint burr. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter-Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.
Etching, image size 13 1/2 x 10 inches, plate signed, copyright 1888 by Klackner, NY.
Dry point etching, image size 5 7/8 x 7 7/8 inchces, pencil siged
This original etching by John Winkler measures 3 3/4 x 5 5/8 inches and is pencil signed on the lower margin. Winkler was originally from Austria coming to America at age 16 looking for adventure. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in major museums throughout the US and Europe.
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