Etchings

Etching, image size 9 5/8 x 13 1/2 inches on 13 1/2 x 19 1/4 inch japan paper, plate signed and dated l.l. "Stephen Parrish 1883". Pencil signed in the lower right.

Image measures 12 3/4 x 7 3/4 on 20 x 13 1/4 inch wove type paper. Plate signed and dated 1970 in the lower right. Pencil signed in the lower right, pencil editioned 170/200. Published by the Gehenna Press, Northampton, MA. Part of a series of 12 etchings inspired by the Shakespeare play Titus Andronicus. Catalog: Fern and O'Sullivan, 586.

Etching from 1969. Pencil editioned in the lower left, signed in the lower right. Print number 27 in an edition of 110. Catalog: F & O 520. Image measures 23 1/2 x 17 1/2 inches in a red 36 x 28 1/2 inch frame. This print depicts the metamorphosis of man into bird, one of Baskin's recurring themes. His birdmen were inspired by those of Hieronymus Bosch and his religious background: they were considered a metaphor for spiritual insight.

Color aquatint. Numbered in pencil in the lower left, 2/25. Pencil signed in the lower right. Plate signed in the lower left. Plate measures 8 x 10 inches on 8 7/8 x 11 3/8 inch wove type paper. Small registration holes on either side of the print. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

Etching from 1925. Catalog: Ordemann 243. Edition 150. Trial proof. Pencil signed and inscribed in the lower left, "To Tiny - 1948." Plate measures 7 3/4 x 10 3/4 inches on 11 1/2 x 14 3/8 inch watermarked wove type paper. This print has a rich drypoint burr.

Etching from 1925. Plate signed and dated and dated in the lower right. Numbered in ink in the lower left, print 3 in an edition of 60, ink signed "Lumsden imp", indicating that the artist printed it himself. Plate measures 10 7/8 x 11 7/8 on 12 1/2 x 14 7/8 inch watermarked laid type paper. Catalog: C 505. Made during his eastern trips to India. This print has effective use of plate tone to depict sky and sea and interesting linework in the sails. Lumsden was elected an associate of the Royal Society of Painter-Etchers in 1909 and raised to the full membership in 1915.

Drypoint etching from 1861. State 4 of 6. This image was part of the Thames set published in 1871. Catalog: Glasgow 86. The location is a forge in the small town of Perros-Guirec in Brittany. Plate signed and dated in the lower right. Plate measures 7 1/2 x 12 3/8 on 9 x 14 2/8 inch laid type paper A well-inked impression with a a rich drypoint burr.

Etching and drypoint from 1880. This is a rare image, not found in the Gilcrease catalog. Monogramed in the plate lower left. Plate measures 3 1/2 x 7 1/2 inches on 9 x 12 inch laid type paper. Minor tears on edges of sheet, well away from the image. This print has a beautiful composition and fine details, a rich impression of this scarce etching.

Etching and drypoint from 1922. Pencil signed in the lower right. One of a series of five etchings from his series "The Arteries of Great Britain." Published by Dickins in 1922, in an edition of 425. Catalog: Dickins 73. Image measures 5 1/2 x 7 1/2 inches on 9 1/2 x 12 1/4 inch wove type paper. The scene is of the open Swing Bridge, from a vantage point of the High Level Bridge, Newcastle upon Tyne. An atmospheric print with selectively wiped plate tone. Walcot was born in Russia, the son of a British father and Russian mother.

Drypoint from 1932. Signed in ink below the image. Inscription in lower right reads: "Impression selected for my friend Harold Bailey - E. Blampied" 1/100. Plate size measures 8 3/8 x 11 7/8 on 11 1/2 x 17 1/4 inch laid type paper. A richly inked, atmospheric print.