This is a fine wood engraving by American artist Herbert Waters. The title is: Autumn Bouquet, created and printed circa 1960. This image is pencil signed, titled and numbered 56/75 from the second edition. Printed with a brown toned ink Beautiful condition. The image measures 7 1/2X6 5/8 inches.
Etching,1919, Bpl.61,image size: 5 1/2X7 1/4 inches,Edition 75,pencil signed
This is an original pencil signed wood engraving by American artist Asa Cheffetz. The title is Deserted Farm, Vermont. Created and printed in 1950, Sold through Associated American Artists in New York. The image measures 5 1/2X8 7/8 inches. Very fine condition.
This is an original wood engraving by American artist Asa Cheffetz. This image is titled Distant Haze, Essex Co, N.Y., created and printed in 1941. This image is pencil signed and titled and measures an image size of 4 5/8X8 1/8 inches. Very nice condition, last sold by Kennedy Galleries in New York. The image appears in the Cheffetz catalog as image number 60.
Etching, image size 8 x 5 3/4 inches, pencil signed l.r. "Warren Davis" on wove paper. Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures. Many were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.
This is perhaps the best known etching by American Regionalist, John E. Costigan. The title is: Fishermen Three, it was created and printed in 1938 and sold by Associated American Artists in New York. This etching has an image size of 8 7/8X11 7/8 inches Hand signed in pencil lower border. This image appears in the book, A Treasury of American Prints by Craven.
This is a fine drypoint etching by American artist Samuel Chamberlain. The title is: Stonington Sunset, it was created and printed in March 1936, this pencil signed and numbered: 45/100 and is also inscribed to "Bill and Kathie Best Wishes" in the lower left border, the image measures 9 7/8X14 5/8 inches. This image appears in the Chamberlain catalog as image number 124. Nicely framed with archival matting...
Etching, dry point, image size 10 7/8 x 9 3/8 inches, ca. 1936, signed and titled in pencil, also plate signed. Edition of 25 for the NYC WPA. "Federal Art Project/NYC WPA" stamped in l.l.
This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
A beautiful architectural cityscape by master printmaker, Joseph Pennell. Measuring 8 x 11 inches, it is pencil signed, publishers label included. Created in 1905 in an edition of probably 75, cat: Wuerth #379. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.
This is an original wood engraving by American artist Herbert Waters. The title is: Winter at Otter Cliffs, Mt Desert Island, Maine, pencil signed and titled, numbered as 41/100. Created and printed in 1979. The image measures 7 1/2X8 1/2 inches. Very fine condition.
This is a remarkable architectural etching by American artist Hopper Emory. Image size 14 7/8 x 11 3/4 inches, c. 1930, edition of 250, pencil signed, with the original label. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.
This is a fine etching and drypoint by American artist Ronau Woiceske. It is titled Connecticut Farm Scene, created and printed circa 1930. The image measures 12 7/8X10 3/4 inches. Hand signed in pencil, printed on a medium weight wove type sheet.
C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. Plate measures 8 3/4 x 7 1/2 on 14 x 11 1/2 inch watermarked wove type paper. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.
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