This is an oriignal pencil signed etching by American artist Sidney Smith. The subject is the well known rare book dealer of Boston George E. Littlefield. This etching was created and printed in 1909. The image measures 9X7 inches, printed on a medium weight wove type paper.
This is an original pencil signed and numbered wood engraving by American artist Hendrik Glintenkamp (1887-1946) This view of a European bridge was created and printed in 1931, it is impression 12/16. The image measures 5 1/2X4 inches. Nicely framed ...
This is a group of 4 original hand signed book plates by American artist Wilbur Lyons. These were done as a custom commission for an unknown book collector. Each one measures 5X4 inches. It is possible that these were done for Wilbur Lyons by an unknown hand.
THis is an original pencil signed etching by American artist Samuel Chamberlain. The title is:The Market Place, Bourges, created and printed in 1928. The image measures 6 3/4X5 3/8 inches. It appears as image number 253 in the Chamberlain catalog. Boston Public Library
This is an original etching by American artist Stephen Csoka (1897-1989) This etching is pencil signed and titled and was created and printed circa 1940's. The image measures 5X7 1/4 inches. Printed on a medium weight wove type sheet.
This is an original pencil signed etching by American artist W. Harry Smith. The subject is: The Customs House, viewed from the Harbor in Boston. Created and printed circa 1930, the image measures 12 1/2X5 1/2 inches. Printed on a medium weight laid type sheet. A fine rich impression.
Etching, image size 9 1/4 X 12 1/2 inches, pencil signed
This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design and his prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of the images in this series of the "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families paid for their dreams of a better life.
This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.
This etching by Joseph Margulies measures 8 3/4 x 6 7/8 inches. It is printed on a medium wove paper, pencil signed by the artist on the lower right margin and has an AAA galleries card. Margulies was a student of Joseph Pennell and went on to study at the National Academy of Design and the Arts Student League of New York. He studied abroad in Paris and Vienna. His etchings are in many collections including the Metropolitan Museum, the Brooklyn Museum and the Smithsonian.
Etching, image size 5 3/4 x 7 1/8 inches, 1919, most likely an early artist's proof, retouched stain just below image and a reinforced broken plate mark at two corners, pencil signed, dated, and titled.
Etching, sight size 5 x 4 inches, 1928, pencil signed and dated "Simkha Simkhovitch 1928", edition of 40 prints.
Chiaroscuro woodblock, image size 7 x 5 inches, 1937, plate signed and pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat, rather than the sheet itself.
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