This is a fine award winning etching by American artist Luigi Lucioni. The title is: The Big Haystack, created and printed in 1947. Sold by Associated American Artists in New York. This pencil signed etching measures 8 1/4X11 7/8 inches. Printed on a medium weight wove type sheet. A fine rich impression.
Color Etching, c. 1940, ed. less than 25, image size: 7 1/8 x 14 3/4 inches, pencil signed
Etching, image size 7 3/4 x 9 3/4 inches, titled and signed in pencil
This is a 1963 lithograph of a scene from Colorado. Catalog 618. Published by the Associated American Artists, edition of 250. Pencil signed in the lower right. The plate measures 9 1/2 x 13 on 12 3/4 x 16 3/4 inch wove paper.
An excellent impression that exemplifies his mastery of tone and texture.
This is an original wood cut by American artist Leo Meissner. This unsigned proof is titled: Blecker Street Follies and numbered as 21/30. The image measures 10X12 1/2 inches. Printed on a medium weight wove type sheet. Very fine condition on this rare image.
A fine original wood engraving by American artist Thomas Nason. The title of this piece is: "A New England Stream" It was created and printed in 1951 in an edition of 400. This image was originally sold through Associated American Artists in New York. The image measures 5 5/16X9 7/8 inches, printed on a medium weight wove type paper. Excellent condition hand signed by the artist lower right. This image appears in the BPL catalog as image number 489.
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Lithograph, image size 14 1/2 x 10 5/8 inches, c. 1930s, edition of 34, pencil signed.
This is a drypoint etching from April 1931. Edition of 100. Catalog: BPL 105. Pencil signed in the lower right, pencil numbered 3 out of 100 in the lower left. Plate measures 11 x 12 inches on 14 x 15 inch Rives watermarked wove paper. Chamberlain captures this brightly lit scene with breathtaking detail. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
Etching, BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzleman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete, regarded by Heintzleman as the last of the great Montmartre singers. Young man with guitar is Fredie's son.
This is a drypoint etching from February 1931. Edition of 100. Catalog: BPL 104. Pencil signed in the lower right, pencil numbered 35 out of 100 in the lower left. Plate measures 14 1/4 x 9 1/2 inches on 16 1/2 x 11 1/2 inch Rives watermarked wove paper. A well inked, exquisitely detailed etching. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
Lithograph, 1946,image size,13 3/4X9",Edition of 250,published by Associated American Artists,Printed by George Miller,pencil signed
Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.
This c. 1920 drypoint etching by the American artist, Warren Davis, measures 7 7/8 x 4 7/8 inches and is pencil signed on the lower right. Warren Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures, many of which were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.
Lithograph, image size: 10 7/8 x 13 11/16 inches, pencil signed lower right
Pencil signed in the lower right. An inscription in the lower left of the paper reads "Wine Shop at Royalbourne," a possible title. Plate size measures 10 7/8 x 8 7/8 inches on 16 3/4 x 12 1/4 inch medium-weight wove-type paper.
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