20th Century American Prints

This is a fine large color screen print by American artist Harry Shokler (1896-1978)  The title of this work is Summer Hotel, created in 1945 and printed in an edition of 100.  Hand signed and titled in pencil and also signed with pen and ink within the image.  This large image measures 14 9/16X18 3/4 inches.  Very fine condition.  Matted not framed.

This is an original lino cut by American artist Albert Abramovitz.  This work untitled is of two Masons laying brick.  The image measures 12X9 1/4 inches.  Pencil signed lower right border printed on a wove type buff toned sheet.  This image is likely from his Moscow, Work at night series showing the construction of their Subway system.

This is an original etching by American artist Isac Friedlander. The title of this work is: "Blessed be thy name", it was created and printed in 1942. The image measures 12 3/4X8 1/4 inches. The artist's view of the aftermath of war in Europe. It is hand signed, titled, dated and inscribed as "Trial Proof No3" in the lower margin by the artist in pencil.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.

Drypoint etching with hand coloring (lips), image size 19 3/4 x 12 inches, 1907, pencil signed lower right

This was the original lithographs from the Panama Canal Series created in 1912 by the American artist Joseph Pennell.  The title of this work is: The Approach to the Canal from the Pacific.  This impression done on a Fabiano watermarked laid paper is hand signed in pencil with collectors annotations in the lower edge of the sheet.  The image measures 16 1/2X 22 inches, on a sheet size of 20 1/2X25 1/2 inches.

This is a fine drypoint etching by American artist George Elbert Burr.  The title is Oaks in Winter, created and printed in 1920, this pencil signed impression measures 9 7/8X6 7/8 inches,  A rich impression with plate tone in the sky and snow.

Color aquatint. Numbered in pencil in the lower left, 2/25. Pencil signed in the lower right. Plate signed in the lower left. Plate measures 8 x 10 inches on 8 7/8 x 11 3/8 inch wove type paper. Small registration holes on either side of the print. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

This is an original etching by American artist Kenneth Hayes Miller.  The image is titled: Leaving the Shop, created and printed in 1929 in an edition of 20.  The image measures 7 7/8X9 7/8  inches, printed on a wove type sheet.  "He exhibited four works in the 1913 Armory Show and had his first one-person exhibition in 1916 at the Macbeth Gallery, New York. In 1929 he was included in the Museum of Modern Art's first exhibition of works by American artists, "Paintings by Nineteen Living Americans." He became an associate of the National Academy of Design in 1942,"

Lithograph, image size 21 1/4 x 14 3/8 inches, c. 1920, edition of 50, pencil signed, framed.

This is an original wood block print by American artist Isac Friedlander.  Created circa 1930 this image is titled: "Companions", It is pencil signed and titled in the lower border.  The image measures 11 3/4X9 3/4 inches.  Printed on a medium weight wove type paper.  Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.

This is an original wood block print by Jamaican artist  Albert Huie.  This image is titled: In The Woods, created and printed circa 1945.  This woodblock is hand signed and titled in pencil in the lower border.  The image measures 9 1/2X7 1/2 inches.  

Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.” 

This is a fine original lithograph, pencil signed by American artist Don Freeman.  The title is: Casting for Character,  it was created and printed in  1934 in an edition of 184.  The image measures 9 7/8X12 inches.  Published by Associated American Artists in New York.  

This is an original pencil signed etching by American artist Lawrence Kupferman.  The title of this work is:
"Victorian Carriage House". This etching was created and printed in 1939 and is editioned as 13/100.  The etching is signed and titled in the lower border, the image measures 9 3/4X11 5/8 inches.  

This is a fine modernist wood engraving by American artist John P. Heins (1896-1969)  This wood engraving was created and printed 1936 in an edition of about 28, created for the WPA in NYC.  The image measures 5 7/8X7 3/4 inches.  This is a rare unstamped proof purchased from the artist's estate.

This is a fine drypoint etching by American artist Frank Benson.  It is titled: Canada River, created and printed in 1920 in an edition of 150, printed on Hodamura paper The image measures 6X7 1/2 inches, hand signed in pencil lower border.  This image appears in the Ordeman catalog as image number 179.  A fine impression, nicely framed.