A wood engraving from 1940. Numbered 8 out an edition of 12. Pencil signed and dated in the lower right. Pencil titled and editioned in the lower left. Plate measures 8 x 10 inches on 10 1/2 x 12 inch thin laid paper.
Color woodblock print measures 12 3/4 x 8 1/4 inches on 13 3/4 x 9 3/8 inch japanese rice paper. A very detailed print, with burnishing in the black obi fabric and wooden geta sandals, and embossing in the white kimono trim. This print depicts the Lady Tsukiyama being arrested for treason.
Etching,1929,Edition of 100,image size:9 1/2X11 1/4 inches,Bpl 153,pencil signed
French Old Master Engraving, circa1660, image size 9 13/16 x 9 5/8 inches
plate inscribed: "FVan Campen Formis Venetys" and VLeFebre del et sculpt"
Color woodblock print C. 1859. A collaboration with Toyokuni II and Hiroshige II. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. A later state. Print measures 13 x 8 7/8 inches on 13 3/4 x 10 inch thick laid paper.
Color woodblock print C. 1859. A collaboration with Toyokuni II and Hiroshige II. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. An earlier state. Print measures 13 x 8 7/8 inches on 13 3/4 x 10 inch thick laid paper.
Etching from June 1931. Edition of 100, with 5 working proofs. Pencil editioned in the lower left, signed in the lower right. Image measures 5 3/4 x 8 1/4 inches in a 12 3/4 x 15 1/2 inch gold frame. An incredibly detailed scene with plate toning and a rich drypoint burr.
Etching, image size 7 x 9 1/4 inches, published in 1926 by Guiot, Paris, signed and editioned in pencil, red collectors seal l.l.
Etching and drypoint, image size 4 7/8 x 13 1/8 inches, 1912, printed on cream wove paper. Addams was born in New Jersey and attended the Drexel Institute there. He won a Philadelphia Academy Cresson Traveling Scholarship and entered Whistler’s Academy in Paris in 1899. In the 1900′s, London’s working class Italian Soho district was the subject of many artists of the day including Whistler's shop-front prints such as T.A. Nash’s Fruit Shop. The horizontal format and the density of the etching work is comparable to many of Whistler Amsterdam prints.
This is a very rare early trial proof etching by Joseph Pennell, one of the foremost American etchers of the early 20th century. The plate size is 11 x 8 5/8 inches; the image itself measures 10 x 8 1/4 inches. It was created in 1906 and is pencil signed by both Pennell and Goulding, the printer. It is notated 'trial proof' in the lower right corner, the later published state of this image is #411 in the Wuerth catalog. As is typical of Pennell's prints, the margins are small, but adequate for proper presentation. This etching comes with original label from Frederick Keppel & Co, New York.
Plate signed in the lower left. Signed in ink in the lower right. Edition of 30. Titled and editioned in ink near bottom edge of paper. Print is adhered to matboard. Plate measures 6 1/2 x 8 1/8 inches on 10 1/2 x 13 3/4 inch paper. A sharp, finely detailed etching with rich drypoint burr of daily life on a busy street in Covent Garden Market against the backdrop of St Paul’s Church portico.
This 1941 etching by John Winkler measures 13 1/2 x 8 1/4 inches and is pencil signed. Winkler was originally from Austria coming to America at the age 16. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in many major museums throughout the US and Europe.
Pencil and plate signed in bottom right. Plate size measures 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Featured in Fine Prints of the Year in 1927.
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