Prints

C. 1919, printed in 1929. Plate measures 7 3/4 x 6 1/2 inches on 12 x 8 3/4 inch on watermarked laid type paper. Estate stamp signed in the lower right, pencil signed in the lower left by the printer, Frank Nankivell. Edition of 200. Third and final state. Plate destroyed. This soft ground etching with aquatint print is bold in both contrast and its abstract composition.

Etching and engraving, image size 7 x 10 inches, edition of 50, plate signed l.r. "Haskell" and pencil signed l.c. "Ernest Haskell".

This is a fine etching by British printmaker Martin Hardie.  The title is: The Bridge, Chioggia, Venice, done in 1926.  This impression is hand signed in sepia ink lower right, done in an edition of 80.  The image measures 7 7/8X11 1/4 inches,printed on a medium weight laid type sheet.  A rich impression with nice use of plate tone in the sea and sky.

"Looking West" by Dexter Dawes measures 12 x 14 3/4 inches and is pencil signed by the artist on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Pencil signed etching on laid-type paper c. 1929. 7 1/2 x 13 1/2 inches on 11 x 17 1/4 paper. Malcolm Osborne was known for his prints of landscapes, urban views and portraits. Between 1901-1906 he studied etching and engraving under Sir Frank Short at the Royal College of Art in South Kensington. During 1918 he was elected Associate Engraver of the Royal Academy and succeeded Sir Frank Short as the Head of the etching and engraving school when Short retired, and he was elected a full member of the Royal Academy in 1926.

This lithograph with a delicate Manhattan skyline in the distance by Dexter Dawes measures 14 x 17 inches and is pencil signed in the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This is a beautiful original etching with aquatint of a New Orleans alleyway. The image size is 12 1/4 x 10 3/8 inches, c. 1932, published by the Associated American Artists, with the original label, pencil signed. This image won an award from the Philadelphia Print Club and is included in the collection of the Library of Congress.

Pencil signed "H A Webster" in the lower right. C. 1930. Catalog: Webster 105. Plate measures 7 3/4 x 10 7/8 inches on 9 3/4 x 12 7/8 inch watermarked arches laid type paper. Signed artist's proof. Plate destroyed. This print has a rich drypoint burr and dramatic use of light and shadow. Herman Webster was an American artist who moved to Paris in the early 20th century to attend the Academy Julien. There he studied under J. P. Laurens and Eugene Bejot, and was also greatly influenced by the etchings of Whistler and Meryon. He traveled extensively throughout Europe, specializing in finely detailed architectural views, cityscapes and landscapes.

This is a very fine original etching by British artist Ian Strang (1886-1952)  This image titled: Place Cassanyes, Perpignan, was created and printed in 1920.  It is pencil signed lower right by the artist and has an image area of 6X9 inches.  Rich use of plate tone in the sky and sand.  Very nice condition, printed on a medium weight laid type sheet.

This lithograph of the George Washington Bridge under construction by Dexter Dawes measures 11 x 17 inches and is pencil signed on the lower right margin. This is one in a series of lithographs of the construction of the George Washington Bridge that Dawes created between 1927 and the bridges' completion in 1931. This suspension bridge would eventually connect Ft. Lee, NJ to Manhattan across the Hudson River. Swiss born engineer Othmar Amman made this gigantic structure look "light and airy" with its miles of intertwined steel cable. Considered by some to be the noblest of bridges it became a symbol of the art and craft of the civil engineering profession.

This is an original drypoint etching by British artist Henry Rushbury.  The title is: "Old Deal", created in 1920, this etching has an image size of 6 7/8X7 inches.  Pencil signed lower right border, inscribed "30 impressions", this is an early state of three.

A wonderful etching depicting a band of strolling musicians and their caravan, by the British etcher, Sir Frank Short, measures 6 7/8 x 9 7/8 inches. Pencil signed on the l.r., Hardie cat: 335, 1907.

Wonderful etching by Adolphe Beaufrere depicting everyday life on a river. Measuring 7 1/2 x 10 3/4 inches in an edition of 60, it is pencil signed with a blindstamp of the publisher, Sagot, on the lower right.

This landscape by Dexter Dawes of two majestic oaks measures 9 7/8 x 12 1/2 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This is an original etching by British printmaker Sir Charles Holroyd.  The title is: The Campanile of San Pietro di Castello, Venice.  Created and printed circa 1910, this etching is hand signed in pencil lower right border.  The image measures 11 3/4X8 7/8 inches.  Nicely framed with archival materials.