This is an original etching with aquatint and drypoint by French artist Manuel Robbe. The title is: Nu Se Coffant, ca. Nude Combing her Hair, circa 1906. This etching is hand signed in pencil upper right within the image. This is a rare black and white impression. The image measures 19 1/2X13 inches.
This is an original drypoint etching by French artist Paul Helleu. This view of a Woman with Hat in Profile, was created and printed circa . 1905. The image measures 21X13 inches. Identified lower right border. Fine condition, printed on a wove type sheet.
This is an original pencil signed etching by American sporting artist Edmund Osthaus. This etching is titled: The Dare Devil, created and printed circa 1910. The image measures 15 5/8X9 3/4 inches, printed on a medium weight wove type sheet.
This is an original pencil signed etching by British artist Stanley Anderson. The title is: The National Gallery, created and printed in 1925 in an edition of 109. This image is pencil signed by the artist. This impression is the second state an edition of 8, before the print collectors edition which was printed in an edition of 100 for the members.The image measures 8 3/4X11 1/4 inches. Printed on a medium weight wove type sheet. This image appears in the Meyrick catalog as image number 167. "One of the earlier group of Stanley Anderson’s scenes depicting the tramps of London, this image casts a somewhat cynical eye upon the established art in our major public galleries. The paintings hang unnoticed as the visitors sit, reading the newspaper or knitting, and the tramps lie asleep". (Campbell)
This is a fine original etching by American regionalist artist Jackson Lee Nesbitt. The title is: Evening in March, pencil signed and titled, created and printed in 1942. The image measures 11 7/8X8 7/8 inches. Very fine condition, a rich impression printed on a medium weight wove type sheet.
This is an original pencil signed etching by German expressionist Lovis Corinth. The title is Salome, created and printed in 1919, this impression is numbered 28/150. The image measures 7 5/8X9 7/8 inches. Printed on a medium weight wove type sheet, with a Collectors stamp William P. Moor on the back of the sheet.
This is an original pencil signed etching by American artist Otto Kuhler. The image is titled: Steamboat Wharf, created and printed in 1925. The image measures 8X10 3/4 inches. "Although best known for his industrial designs, Otto Kuhler (1894-1977) is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's." (Philadelphia Print Shop)
This is a fine large drypoint etching by American Sporting artist Frank Benson. The title is: Yellowlegs Alighting, created and printed in 1920 in an edition of 100. The image measures 8 7/8X14 7/8 inches. This image appears in the Ordeman catalog as image number 187. Printed on Hodamura paper. Nicely framed with archival boards.
This is a fine impression of early New York City, created in 1929 by American artist William NcNaulty, the title is The Woolworth Building. Hand signed in pencil and inscribed as a gift to "Louise and Virgene... De Rochemont 12/33. W.M.N." This etching measures 13 1/4X8 7/8 inches. A very rich impression done in an ediition of 75. One of his finest compostions.
This is an early scene of New York City from the river by American artist John Taylor Arms. The title is New York Skyline, and also called The Sketch of New York Skyline. This image was created and printed in 1921 in an edition of 75. This pencil signed impression measures 7X5 inches. It appears in the Fletcher catalog as image number 103. Printed on a buff toned watermarked laid type paper.
This is an original pencil signed etching by American artist
Isabel BISHOP The title is:
IN FRONT OF THE 42ND STREET LIBRARY
Catalog. Teller 3. Etching, 1927. The image measures 4 x 3 inches; 100 x 75 mm. Signed in pencil. One of only a very few lifetime impressions, this image was later printed in 1989 in an edition of 60 unsigned etchings. Isabel Bishop was one of New York City’s leading printmakers from the late 1930’s to the 1960’s. Bishop both studied at, and taught at, the Art Students League in New York and made her home and studio in the heart of the bustling urban scene. The work of Isabel Bishop focuses entirely on the depiction of figures.
This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944.
This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.
Original etching by the British artist, Arthur Brisco, measuring 6 1/2 x 10 7/8 inches, 1926, signed and numbered; 62/75, cat: Hurst-158. Britain's "General Strike" was the theme of Brisco's dramatic image of "The Orator". The strike, mainly by coal-miners upset with their goverments' reduction in wages and worsening conditions, also included dockers, printers, power station workers and transport workers, thus Brisco's interest in the subject.
This is an original woodblock print by American artist Isac Friedlander. it is titled: "Vanquished" it was created and printed in 1938, it is editioned as 1/4 impressions.
The image measures 10X12 inches, printed on a light weight laid type paper. It is hand signed,titled and editioned in pencil in the lower margin. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
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