Featured Prints

This is an original pencil signed lithograph by American artist Joseph Pennell. He traveled down to Panama in 1912 to record the building of the Canal.  He created a series of lithographic images from that trip. This image is titled: The Cut From Culebra.  It was created and printed in 1912 in an edition of 100.  The image measures 22 1/2X17 inches on a sheet size of 25 1/2X20 1/2 inches.  Printed on a Fabiano watermarked laid type paper.

This is a rare original etching and drypoint by Scottish artist David Cameron.  The title is: Wingless Chimera, Amiens Cathedral,  it was created and printed in 1911.  Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches.  Printed on a medium weight laid type sheet.  This image was exhibited at the Royal Academy in 1911.  This image appears in the Rinder catalog as image number 416.

This is an original etching by American artist Joseph Pennell.  The title of this etching is "Madison Avenue" also known as "Rebuilding Madison Avenue".  This etching was created and printed in 1923 in an edition of 50 impressions.  This proof is hand signed in pencil by the artist with the "imp" after his name meaning that he printed this impression himself.  It is printed on an antique laid type paper.  The image measures 12X9 1/8 inches.  The image appears in the Wuerth catalog as image number 811.

This is an original etching and aquatint by American artist Kerr Eby.  The title is Driftway Evening, created and printed in 1933 in an edition of 100.  The image measures 8 1/4X15 3/8 inches.  Hand signed in pencil with his "imp" meaning he printed this impression himself.  This image is of the artist's home in Westport Connecticut which he named Driftway.  This image appears in the Giardina catalog as image number 175.  Printed on a medium weight wove type sheet a very rich impression.

This is a fine drypoint etching by British artist William Walcot.  This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio.  This etching is hand signed in pencil in the lower border.  The image measures 8 1/4X9 3/4 inches.  Nicely Framed with archival materials.

This is an original lithograph by American artist Stow Wengenroth.  The title is: Inlet Light, created and printed in 1938 in an edition of 181 impressions.  This one is hand signed in pencil, printed on a medium weight wove type sheet with "GOM" watermark.  The image measures 8 1/8X12 11/16 inches.  The image appears in the Stuckey catalog as image number 75.  A fine view of the Maine coast.

This is a fine drypoint etching on copper by American artist Frank Benson.  It is titled: Over Currituck Marshes, created and printed in 1926 in an edition of 150.  The image measures 7X11 7/8 inches.  Hand signed in pencil.  This image appears in the Ordeman catalog as image number 259.  Printed on Whatman Paper.

This is an original etching by American artist Frank Benson.  The image titled: After Sunset  was created and printed in 1917 in an edition of 152.  The image measures 6X8 inches, fine condition, printed on Shogun paper.  This image appears in the Ordeman catalog as image number 113.

This is an original drypoint etching by British artist Sir William Russell Flint.  The title is: Amazons on a Breton Beach, it was created and printed in 1931 in an edition of 76.  This one is editioned as number XXVII from that edition.  The image measures 8X13 1/4inches, printed in an sepia toned ink, hand signed with pen and ink in the lower border.  Nice use of plate tone in the sky and sand.  Illustrated: Salaman, Modern Masters of Etching.

This soft ground etching and aquatint was created by Austrian artist Tavik F. Simon.  It is titled: Les Halles Et L' Eglise Saint Eustache, Paris.  A fine view of Notre Dame and the street life of Paris.  This etching was created and printed in 1926 and is described as an artist Proof in the Novak Catalog, numbered as: 1926AP3.  The image measures 13 1/4X15 inches.  Pencil signed lower right and has an edition number of 16. In an early Frame with French matting.

A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41,"LC" monogram in the upper left of the image, a faded signature below the image, framed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.

This is an original drypoint etching by German Expressionist  artist Lovis Corinth (1858-1925)   The title of this work is: "Alter Mann" (the old man) It was created and printed in 1916.  The image measures 6 5/8X4 3/4 inches.  Signed in pencil in the lower border.Printed on a light weight laid type paper, very nice condition.

This is a very fine original etching by Stephen Parrish, published by Keppel in 1881. The image size is 12 x 19 inches, cat: Schneider-49, plate signed and titled, pencil signed. According to Schneider, this atmospheric image of the Massachusetts shore was one of Parrish's most popular etchings. This print features a very richly inked impression with beautiful plate tone, printed on a medium weight wove type paper with ample margins.

Etching and dry point, image size 8 1/2 x 11 1/8 inches, 1906, cat. Schiefler- 55, pencil signed.

This is an original etching by British artist Edmund Blampied.   The title is: "The Vraic Season (No 1)" , it was created and printed in 1936 in an edition of 125 for the American College Society of Print Collectors.  The image measures 12X14 1/4 inches.  Very fine condition, hand signed in ink.  Vraic is seaweed that was harvested on the Channel Islands and used for potato fields.  The usual method was gathering it up with horse drawn carts.  A rich impression.