Prints

Etching by the French artist Adolphe Appian measuring 4 1/8 x 7 5/8, plate signed and titled, published by Cadart, Paris.

Etching, image size 5 3/4 x 7 1/8 inches, 1919, most likely an early artist's proof, retouched stain just below image and a reinforced broken plate mark at two corners, pencil signed, dated, and titled.

Etching, image size 11 x 9 5/16 inches, 1920, pencil signed

This 1672 etching by Mathias Arteaga, after Valdes Leal, of the inside of Iglesia Cathedral, measures 16 7/8 x 11 1/4 inches. There is some worm damage and staining within the image.

This etching by Mathias Arteaga, after Valdes Leal, measures 20 1/2 x 11 5/8 inches. Created c. 1672, it is plate signed on the lower left with some worm damage within the image.

This etching of the "Monument to St. Ferdinand, by Mathias Arteaga, after Valdes Leal, measures 21 5/8 x 13 1/2 inches. It is dated "1671" on the lower center border and there is some worm damage within the image.

Etching, sight size 5 x 4 inches, 1928, pencil signed and dated "Simkha Simkhovitch 1928", edition of 40 prints.

French Old Master Engraving circa 1660, inscribed in plate, image size 7 3/4 x 10 3/16 inches

Etching, image size 9 1/4 x 6 3/4 inches, pencil signed, framed

This etching, after a painting by the artist, measures 11 7/8 x 7 1/4 inches. It is pencil signed on the lower right and comes with a label identifying the artist and location.

etching, 1928, edition: 58/75, image size: 7 7/8x9 3/8 inches,pencil signed

woodblock print, 9 1/4X8,p/s

Etching after Leon Moran, image size: 12 x 16 1/2 inches, copyright 1893 Klackner and Haymarket, printed by Ch. Whittmann, Paris, pencil signed by Moran

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.