This is an original pencil signed etching by American artist W. Harry Smith. The subject is: The Customs House, viewed from the Harbor in Boston. Created and printed circa 1930, the image measures 12 1/2X5 1/2 inches. Printed on a medium weight laid type sheet. A fine rich impression.
Etching and aquatint, image size 9 1/4 x 6 7/8 inches, 1914, pencil signed l.r. "C.H. Baskett. del. et imp.'" and titled "A Corner in Bruges" l.l.
Plate signed and titled. Printed on watermarked laid-type paper, 8 x 10 inches. Burridge studied at the Royal College of Art under Frank Short from 1857 to 1945. He then taught as Head of Liverpool School of Art, 1897-1905, and as Principal of the Liverpool City School of Art, 1905-12, before returning to London as Principal of the Central School of Arts and Crafts, 1912-30. He produced etchings and mezzotints of landscapes and coastal scenes often featuring low horizons and dramatic, stormy skies.
Etching, image size 5 5/8 x 8 1/2 inches, 1929, ed. of 350, pencil signed. A Presentation Print of the California Printmakers Society.
Etching, image size 9 3/4 x 13 1/2 inches, 1877, plate signed, dated and titled.
Engraving, image size: 2 15/16 x 6 3/16 inches, plate signed and titled
Engraving after William Hogarth, image size 13 x 11 in, plate size 15 1/8 x 11 in. Published by J. Nichols & Co., Red Lion Passage.
Etching, image size 6 7/8 x 4 7/8 inches, c. 1920, pencil signed.
Etching, image size 7 1/8 x 10 7/16 inches, plate signed and dated in the cottage lintel upper right. Dietrich frequently signed his work 'Dietricy.'
Etching, image size 10 x 8 3/8 inches, 1883, plate signed u.r. "I.M.Gaugengigl 1883".
Etching, image size 9 1/4 X 12 1/2 inches, pencil signed
This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design and his prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of the images in this series of the "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families paid for their dreams of a better life.
This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 4 x 7 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.
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