Prints

This is an original etching by European old master artist Christian Dietricy (1712-1774) The title of this work is "Der Verlorene Sohn bei dem Pachter", it was created and printed in 1756. It is signed and dated in the plate lower left. The image measures 14 1/4X11 3/4 inches. Printed on a light weight laid type paper. Very good condition

Etching, drypoint, image size 6 3/4 x 10 7/8 inches, 1934, pencil signed and plate signed l.r. and l.l. "Muirhead Bone".

This is a rare early engraving by Johannes Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. One side of the sheet shows the 'Betrayal of Christ', the other 'Agony in the Garden'.

This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

This is an original pencil signed etching by British artist William Strang.  This self portrait was created and printed in 1910.  It is inscribed, 2nd state, 2 proofs.  The image measures 9 7/8X7 inches.  A fine rich impression, nice use of plate tone.  This is printed on a medium weight laid type paper.

A richly inked original etching of a sunny European city street, this image measures 11 1/2 x 7 1/2 inches, published in 1950 for the Chicago Society of Etchers, pencil signed and inscribed "To my friend J. R. Brownell".

William Walcot

1874-1943

British

This is a fine drypoint etching by British artist William Walcot 1874-1943.  The title is "The Thames " it was created and printed in 1922 as part of his series titled "The Arteries of Great Britain.  The platemark  measures 4 3/4X13 inches.    Hand signed in pencil lower border.

William Walcot

1874-1943

British

This is a fine drypoint etching by British artist William Walcot 1874-1943.  The title is "The Mersey " it was created and printed in 1922 as part of his series titled "The Arteries of Great Britain.  The platemark  measures 4 3/4X13 inches.    Hand signed in pencil lower border.

Etching, dry point, image size 10 7/8 x 9 3/8 inches, ca. 1936, signed and titled in pencil, also plate signed. Edition of 25 for the NYC WPA. "Federal Art Project/NYC WPA" stamped in l.l.

This is a drypoint etching from April 1931. Edition of 100. Catalog: BPL 105. Pencil signed in the lower right, pencil numbered 3 out of 100 in the lower left. Plate measures 11 x 12 inches on 14 x 15 inch Rives watermarked wove paper. Chamberlain captures this brightly lit scene with breathtaking detail. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Etching, image size: 2 7/8 x 5 1/4 inches, 1846, plate signed

This is a drypoint etching from February 1931. Edition of 100. Catalog: BPL 104. Pencil signed in the lower right, pencil numbered 35 out of 100 in the lower left. Plate measures 14 1/4 x 9 1/2 inches on 16 1/2 x 11 1/2 inch Rives watermarked wove paper. A well inked, exquisitely detailed etching. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Engraving, image size 8 1/4 x 7 1/4 inches, pencil signed. Presentation Print for the Society of Print Connoisseurs, Society blindstamp lower left. Provenance: Baldwin-Wallace College.

This is an original New York etching by American Artist Ernest David Roth.  This view of an old church surrounded by Modern architecture has an image size of 12 7/8X9 7/8 inches.  It is hand signed in pencil in the lower right border.  Nicely Framed.

Lithograph, image size 14 1/2 x 10 5/8 inches, c. 1930s, edition of 34, pencil signed.