This is a very fine impressionistic portrait of the Ballet Dancer Carrina Ari (1897-1970) This etching was created and printed by German artist Ernest Oppler. The image circa 1920 is pencil signed and numbered 79/120. The image measures 9 3/8X6 inchesm printed on a laid type sheet, medium weight. Oppler was a well known artist whose main subjects were the Ballet, Modern Dance and the Stage.
This is a fine drypoint etching by French artist Eugene Delatre. The title is petit perron (small porch) It was created and printed circa 1910, pencil signed and numbered as 30/40. The image measures 8 1/2X 9 1/4 inches. Printed on a medium weight laid type paper. A very nice impression with extensive use of plate tone throughout the composition.
This is an original pencil signed color etching by American artist Troy Kinney. The title of this work is: "Sophie Pflanz in Cleopatre", it was created and printed in 1917. The etching is editioned as 10/88... The image appears in the Kinney catalog as image number 16, the image measures 11 3/8X8 1/2 inches.
This is an original etching by American artist Thomas Moran, this image done with roulette, sandpaper ground, drypoint and retroussage to create the etching. The title of this work is:
"The Coyote-Arizona, also known as "Twilight in Arizona".. This etching was created and printed in 1880. It is plate signed with the TM monogram in the lower left corner of the image, printed on a medium weight wove type paper. The image measures 5 7/8X8 3/4 inches, A very rich impression of this important etching by Moran. This image appears in the Gilcrease catalog as image number 36.
Plate signed in the lower left. Signed in ink in the lower right. Edition of 30. Titled and editioned in ink near bottom edge of paper. Print is adhered to matboard. Plate measures 6 1/2 x 8 1/8 inches on 10 1/2 x 13 3/4 inch paper. A sharp, finely detailed etching with rich drypoint burr of daily life on a busy street in Covent Garden Market against the backdrop of St Paul’s Church portico.
Pencil and plate signed in bottom right. Plate size measures 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Featured in Fine Prints of the Year in 1927.
Etching, image size 4 1/8 x 10 1/8 inches, plate signed l.r. "S. Haden" and titled l.l. "Out of Study Window H", pencil signed l.r. "Seymore Haden".
7 x 7 inch etching on 8 3/4 x 11 1/2 inch watermarked wove-type paper. Pencil signed in the lower right, plate initialed in the lower left. 1st state, C. 1898. Catalog: Bliss 593.
Color woodblock print from the series "24 Paragons of Filial Piety." Print measures 13 1/4 x 8 7/8 inches on 14 1/8 x 9 3/4 inch laid paper.
This is an original engraving by British artist Stephen F. Gooden. The title is "Diana", this engraving was created and printed in 1940. The image measures 5 1/2X5 1/2 inches. This engraving is pencil signed and dated lower right, It is editioned as 96/110.
This print was the presentation plate for the Print Club of Rochester, N.Y. Printed on a medium weight wove type paper.
Plate size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.
This is a very fine original etching with beautiful plate tone by French artist Louis Legrand. The image size is 5 7/8 x 8 1/4 inches, published in 1911 in an edition of 50 impressions, cat: Arwas- 426, state II/II, pencil signed.
Color woodblock print C. 1858. A collaboration between Hiroshige II, Toyokuni II, and Kunisada. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. Date seal: horse 12.
A richly inked original etching of a sunny European city street, this image measures 11 1/2 x 7 1/2 inches, published in 1950 for the Chicago Society of Etchers, pencil signed and inscribed "To my friend J. R. Brownell".
This is a drypoint etching from April 1931. Edition of 100. Catalog: BPL 105. Pencil signed in the lower right, pencil numbered 3 out of 100 in the lower left. Plate measures 11 x 12 inches on 14 x 15 inch Rives watermarked wove paper. Chamberlain captures this brightly lit scene with breathtaking detail. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
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