Prints

Etching,aquatint,10 5/8X6",pencil signed,image size,10 5/8X6"

Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

This is an original large etching by American artist and illustrator Alan James Robinson.  This image is titled: Green Turtle, it is an artist proof and hand signed in pencil.  The image measures 18X23 1/2 inches.  Richly printed on a thick wove type sheet,  Robinson is best known for his animal illustrations.

Pencil signed in the lower right. An inscription in the lower left of the paper reads "Wine Shop at Royalbourne," a possible title. Plate size measures 10 7/8 x 8 7/8 inches on 16 3/4 x 12 1/4 inch medium-weight wove-type paper.

Lithograph, 11 1/8x8 12/16", pencil signed

This is an original pencil signed etching by American artist Louis Orr. The title of this work is : "Fort St. Andre", created circa 1930, this etching has an image size of 9 1/2X11 1/2 inches.
A very rich impression printed on a medium weight laid type paper.

Etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.

Etching is 9 3/8 x 11 7/8 inches on 11 3/8 x 14 5/8 inch wove-type paper, printed by the artist. The work is pencil signed, c. 1910. The Church of St. Sophia, or "Sophienkirche", was the only gothic church in the whole city of Dresden. It was severely damaged in the Dresden bombing in 1945, and later destroyed completely in 1962 by the German Democratic Republic.
Menpes attended the School of Art in London in 1878 and started exhibiting at the Royal Academy in 1880. He became a major figure in the etching revival, producing more than seven hundred different etchings and drypoints, which he usually printed himself. Menpes was taught etching by James McNeill Whistler and they lived together for some time.

Etching, 1882, 9 1/2 x 15 inches, plate signed. Published by Fishel, Adler and Schwartz, London.

Small version, etching, image size: 6x3 1/2, plate signed

This engraving measures 7 5/8 x 6 inches and has two Latin phrases printed on the bottom margin.

This detailed French etching measures 10 x 7 3/4 inches. Created in 1853, it is plate initialed, titled and dated. The inscription on the lower margin reads "La Cabane des bucherone, dans les bois du Buron, pendant l'automne de 1853."

This etching with aquatint by the German artist, Johann Gottlieb Theophilus Amadeus Prestel, measures 12 5/8 x 18 1/2 inches, 1784, in two colors on green paper, plate signed and dated, after Parmigianino, artist info on backing, thread margins all around.

A delicately rendered original etching with drypoint, plate size 5 3/8 x 7 3/8 inches, published in 1923, cat: Dickins-78, pencil signed. Walcot was born in Russia, the son of a British father and Russian mother. His family traveled extensively throughout Europe as well as South America, and Walcot was educated in Paris and Russia, graduating with a degree in architecture from the Imperial Academy of the Arts in Moscow. He worked as an architect briefly in Russia before moving to England in 1906. He became well known for his etchings which portray an impressive knowledge of architectural details along with a distinctive impressionistic influence in the atmosphere and immediacy of the images. This scene of York Minster is a great example of this sense of light and atmosphere, the delicate details of the cathedral contrasting with the quickly rendered people in the foreground.