Etching, image size 11 5/8 x 5 7/8 inches, pencil signed
Plate size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.
Pencil signed in the lower right. An inscription in the lower left of the paper reads "Wine Shop at Royalbourne," a possible title. Plate size measures 10 7/8 x 8 7/8 inches on 16 3/4 x 12 1/4 inch medium-weight wove-type paper.
This is an original wood engraving by American artist Asa Cheffetz. The title is: The Road Home, created and printed circa 1948, and sold by Associated American Artists in New York.
The image measures 5 1/8X9 inches, hand signed in pencil with the original AAA Label included. The image appears in the Cheffetz catalog as image number 86.
Etching, image size 7 5/8 x 4 5/8 inches, c. 1930, unsigned, printed on laid paper, re-strike.
A delicately rendered original etching with drypoint, plate size 5 3/8 x 7 3/8 inches, published in 1923, cat: Dickins-78, pencil signed. Walcot was born in Russia, the son of a British father and Russian mother. His family traveled extensively throughout Europe as well as South America, and Walcot was educated in Paris and Russia, graduating with a degree in architecture from the Imperial Academy of the Arts in Moscow. He worked as an architect briefly in Russia before moving to England in 1906. He became well known for his etchings which portray an impressive knowledge of architectural details along with a distinctive impressionistic influence in the atmosphere and immediacy of the images. This scene of York Minster is a great example of this sense of light and atmosphere, the delicate details of the cathedral contrasting with the quickly rendered people in the foreground.
This is a fine original pencil signed etching by American artist Ernest Roth. The title inscribed in the plate: "The Little Bridge, Chartres", created and printed in 1944. The image measures 10X9 1/2 inches. Nicely frame with archival boards.
Engraving 13 in an edition of 30. Pencil signed, titled and editioned. C. 1930. 4 1/4 x 7 inches on 10 3/4 x 13 3/4 inch light wove type paper.
Color woodblock print c. 1859. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. Print measures 13 1/2 x 9 inches on 13 7/8 x 9 3/4 inch handmade japan paper. A very detailed print with embossing in the white clouds.
Engraving after Guido Reni, 2nd state, w/ coat of arms before address; LThies,p.281; image size 15 13/16 x 12 5/16 inches
Etching, image size 13 5/8 x 9 1/4 inches, plate size 15 x 10 inches, 1884, printed on medium weight laid paper, plate signed "Otto H. Bacher Forest City", "A Wheel Of Three Generations In 1884" on bottom of print. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.
This is an original mezzotint by European artist Mario Avati. The title is: La Plume du Sergent, it was created and printed in 1968 in an editiion of 79. Printed on a medium weight wove type sheet watermarked " Rives, BFK".. It is pencil signed and inscribed "epreuve d'artiste 1/X". The image measures 9 1/2X11 1/2 inches.
This is a fine early impression of the etching by Adolphe Appian titled: Un Jour d'automne a Artemare . Created and printed in 1871. This impression was done before the later type setting with titled and publisher printed on the bottom border. This image appears in the Curtis catalog as image number 32. The image measures 4 3/4X8 1/4 inches. Signed upper right within the plate. A rich impression on a chine applique sheet adhered to a thicker she of wove type paper. This impression was the first state of four. i/iv.
This is an original etching by American Rural artist John E. Costigan. This image is titled in pencil "Workers of the Soil", created and printed in 1932 in an edition of 100. The image measures 8 1/4X13 3/4 inches, printed on a wove type sheet, hand signed in pencil. Very fine condition. Costigan spent 50 years working as a working farmer.
This is an original pencil signed etching and drypoint by American artist William Bicknell. This view of the Provincetown Dunes was created and printed in 1927, The image measures 7X9 3/4 inches, printed on a wove type sheet with a floral watermark. "Known locally as 'The Etcher' William Bicknell's Provincetown prints have become part of the town's historical record. Works in the gallery include a view of the first Provincetown Playhouse (at Race Point), portraits of artists at work on the dunes".
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