Prints

This engraving measures 7 5/8 x 6 inches and has two Latin phrases printed on the bottom margin.

Small version, etching, image size: 6x3 1/2, plate signed

Etching, 1882, 9 1/2 x 15 inches, plate signed. Published by Fishel, Adler and Schwartz, London.

Etching is 9 3/8 x 11 7/8 inches on 11 3/8 x 14 5/8 inch wove-type paper, printed by the artist. The work is pencil signed, c. 1910. The Church of St. Sophia, or "Sophienkirche", was the only gothic church in the whole city of Dresden. It was severely damaged in the Dresden bombing in 1945, and later destroyed completely in 1962 by the German Democratic Republic.
Menpes attended the School of Art in London in 1878 and started exhibiting at the Royal Academy in 1880. He became a major figure in the etching revival, producing more than seven hundred different etchings and drypoints, which he usually printed himself. Menpes was taught etching by James McNeill Whistler and they lived together for some time.

Etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.

This is an original pencil signed etching by American artist Louis Orr. The title of this work is : "Fort St. Andre", created circa 1930, this etching has an image size of 9 1/2X11 1/2 inches.
A very rich impression printed on a medium weight laid type paper.

Lithograph, 11 1/8x8 12/16", pencil signed

This is an original pencil signed lithograph by Maurice de Vlaminck.  The title of this work is: Duhamel,Les Hommes Abandonnes, it was created and printed in 1927 as part of his Duhamel series.  This image measures 5 1/4X6 1/4 inches, printed on a wove type paper measuring 9 1/2X12 inches.  This image appears in the Flammarion catalog as image number 217.

This is a rare etching by French artist Alphonse Legros.  The title is La Paysage au Bateau (landscape with Boat)  It was created and printed in 1869,  Hand signed in pencil lower right, The image measures 5X12 1/8 inches..  A fine impression, a repair to the sheet lower right within the image area.

Engraving, after Raphael; also called La Benediction; later state without engraver's address;

Engraving after Guido Reni, 2nd state, w/ coat of arms before address; LThies,p.281; image size 15 13/16 x 12 5/16 inches

Etching, image size 10 1/4 x 19 1/4 inches, pencil signed

This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Etching image size 11 7/8 x 9 3/8 inches, plate signed lower left, Vivares founded an engravers school, member of the Society of Artists he exhibited in 1766 and 1768. His reproductions of Claude de Lorrain were widely appreciated.