Prints

This is a fine original etching by British artist Gerald Brockhurst, The title is La Tresse, a portrait of his wife Anais done in 1926.  This image is pencil signed and has an image size of 8 3/8X 6 7/8 inches.  Cat. Fletcher 56.  Nicely framed with archival materials.

This is a fine original pencil signed etching by British artist Gerald Brockurst.  Created and printed in an edition of 111 impressions in 1931.  This image measures 9X7 1/4 inches.  Nicely framed with archival materials.  An impressive portrait, one of his finest etchings.

This is an original pencil signed and numbered lithograph by American artist Stow Wengenroth.  The title is: Homeward Bound, Port Clyde, created and printed in 1956 in an edition of 45.  The image measures 10 3/4X15 5/16 inches.  Printed on a medium weight wove type sheet.  This image appears in the Stuckey catalog as image number 232.

This is one of the rarest etchings by American artist John Taylor Arms.  This color aquatint etching is titled: Still Waters, created and printed in 1919, in an edition of 7 impressions of this the 5th state.  It is hand signed by both the artist J.T.Arms and the printer Frederick Reynolds.  A beautiful rich impression, printed on a buff toned sheet.  The image measures 6 1/8X4 1/8 inches.  The sheet size measures 17X13 inches.  A very fine early effort by this important American print maker.  The image appears in the Fletcher catalog as image number 28.

This is a fine experimental etching by American artist Joseph Pennell.  The title is: Whitehall Court, created and printed in  1903 in an edition of 60.  The image measures 10 1/2X8 inches. The lights of the Charing Cross Bridge in the foreground and reflected in the water.  This image is in the Wuerth catalog as image number 275, pencil signed lower border, printed on a light weight laid type sheet.  A well inked impression.  This etching was last sold by Frederick Keppel in New York, the original label is included.

This is a fine original etching by American artist John Taylor Arms.  The title is: Notre Dame de Paris, created and printed in 1925 as part of his Churches of France series.  This impression is pencil signed, printed in an edition of 150, the image measures 12 3/8X13 15/16 inches.  It appears in the Fletcher catalog as image number 167.  A combination of etching with aquatint.  One of his finest etchings of europe.

This is an original drypoint etching by British artist William Russell Flint.  The title is Aragonese String Makers, it was created and printed in 1930.  It is editioned as impression number XXVII...  The image measures 9 1/2X14 3/4 inches.  Printed on an early laid type paper, R.G. 1820.  The image is signed in sepia ink lower right border.  A very rich inking with extensive use of plate tone in the sky and land.  A beautiful impression.  This image was reproduced  for  the book "Fine Prints of the Year, 1931, published by Malcolm Salaman

This is a fine original mezzotint by British artist Sir Francis Seymour Haden.  This image is "Grayling Fishing" created and printed in 1897.  This etching, pencil signed lower right measures 7 1/2X11 3/4inches.  This is the second state of five.  Printed on a medium weight wove type paper.  The image appears in the Schneiderman catalog as image number 227.  A fine rich impression.  Haden was an avid fisherman, this was one of his subjects, the famous fishing streams in the United Kingdom.  Which included On the Test, The Compleat Angler and Fishermen on the Thames.

This is a fine industrial etching by American artist   Otto Kuhler.   "Monster & Midgets". 1928. The image measures 9 3/8 x 12 7/8. inches.  Etching. Signed in pencil. Edition: 75. Excellent condition. Although best known for his industrial Designs, Otto Kuhler  is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's. "This merging of industry and art proved so successful that after years of submitting designs, a locomotive based on Kuhler's designs was built. The engine, Hiawatha, rolled out of the Schenectady, New York yard in May, 1935. It was the first streamlined steam locomotive to be built from scratch in America. This signaled the start of the next phase of his career- as a successful industrial designer."

This is an original etching by American artist Otto Kuhler.  The title is: The Queen and the Slaves, created and printed in 1926.  This impression is pencil signed and inscribed as "Trial Proof, ltd edition 10 proofs", 1926.  The image measures 9 1/2 X13 1/4 inches.  Fine use of plate tone in the sea and sky.  The subject is the German liner, Breman.  The later published edition done in 1930 was of only 40 ...

This is an original color woodblock print by French artist Auguste Lepere (1849-1918)  The title of this work is: Bucolique Moderne, Modern Arcadia.  It was created and printed in 1882.  Printed on a medium weight wove type paper.  This printing is the first state of V.  The image measures 10X15 inches.  Pencil signed and dated in the lower right border.

Etching, plate size: 15 5/8 x 23 5/8 inches, image size: 13 3/8 x 21 5/8 inches, 1887-1888, cat. Schneider-133, remarque lower left, inscribed lower right: "Selected for Mr. E. Q. Kennedy", printed by H. Wunderlich & Co., New York, on parchment, pencil signed lower right.

Etching from his Venice series of etchings. Done in 1925. Number 21 out of the edition of 80, This etching appears in the Hardie catalog as image number 250. The image measures 7 1/8 x 15 3/4 inches. J Whatman watermark laid-type paper. Collector's annotations in pencil at the lower edge of the sheet.

A very rare lithograph by the British artist Edmund Blampied measuring 17 1/2 x 14 inches, pencil signed and numbered 3/3. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.

This is an original drypoint etching by French artist Jules Pascin 1885-1935.  The title is Bal Tabarin, ( The tabarin Ball) created and printed in  1926 in an edition of 100, this impression is hand signed in pencil and numbered 30/100.  The image measures 11 1/4X13 1/4 inches.  "Pascin was Bulgarian and moved to Paris in 1905. He exhibited at various Paris art shows and was also an exhibitor at the Armory Show in New York in 1913. He moved to New York with his lover, Hermine David, and they eventually married in 1918. Like Toulouse-Lautrec, Pascin drew upon his surroundings and his friends as subjects. Nightlife scenes, such as this one, were typical of his artwork"