Prints

Etching, image size 11 1/4 x 9 1/2 inches, after a fresco by Sir Frederick Leighton, 1881, "Published London April 1, 1881 by The British and Foreign Artist Association" u.r., and "Entered according to act of Congress in the year 1881 by Knoedler and Co. in the office of the Librarian of Congress at Washington" u.l., printed l.l. "Painted by Sir Frederick Leighton, P.R.A." and "Etched by A. Gilbert" l.r., publishers blindstamp l.r. and "The Arts of War" l.r.

Etching measures 10 1/4 x 8 inches on 13 1/4 x 9 7/8 inch wove paper. In the lower left: "drawn and etched by Herbert Herkomer, A.R.A." C. 1881. The sitters for this etching were Herkomer's own children.

Wood Engraving, image size 6 1/2 x 5 1/16 inches, after a painting by John Sell Cottman, plate dated 1899, printed by Bauer 1902, pencil signed

Etching, image size 4 7/8 x 3 7/8 inches, c. 1935, unsigned.

Wood Engraving, image size 13 1/2 x 9 inches, 1874, published in Harper's Weekly, plate signed l.r. "Th. Nast", printed l.c. "WHO OUGHT TO HAVE THE CARDINAL'S HAT IN AMERICA?"

Etching, image size 4 X 6 13/16", platesigned

Etching after Michelangelo, image size: 10 11/16 x 8 1/4 inches, copyright 1888 by Gebbie & Co.

Etching, image size: 4 1/2 x 9 inches, 1872, plate signed

Etching after F. Cortese, image size: 11 15/16 x 8 inches, Copyright 1887 Gebbie & Co., plate signed lower left

Etching, plate signed and dated 1910 image size 4 3/8 x 5 5/8 inches

Wood Engraving, image size 5 1/8 x 6 3/8 inches, after a painting by George Morland, plate dated 1898, edition of 150, printed by Bauer in NY 1902, pencil signed

Etching; Where Tennyson wrote the "Idylls of the King", image size 6 7/8 x 4 3/8 inches, titled and pencil signed

This etching by the American artist Hopper Emory measures 4 7/8 x 6 inches and is pencil signed. Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.

Wood engraving with accompanying text on both sides of the sheet, attributed to Jost Amman, unsigned, numbered 33 below the image, framed.

1882, etching, 4x6 plate signed,d