Prints

This is an original pencil signed lithograph by American artist Albert Heckman.  The title is:The Squatters House, Created and printed circa 1935.  This lithograph is pencil signed, titled and inscribed artist proof.  The image measures 8 1/4X12 7/8 inches.  A rare image by this artist.

This is an original etching by French artist Felix Buhot, the title is Les Voisins de Campagne (Country Neighbors)  This unsigned proof has an image size of 7 3/8X9 5/8 inches.  This impression was created and printed in 1879.

Pencil and plate signed in bottom right. Plate size measures 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Featured in Fine Prints of the Year in 1927.

Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".

Etching, image size: 7 x 10 1/8 inches, pencil signed, 1919, ed. 3/50

Etching,1919, Bpl.61,image size: 5 1/2X7 1/4 inches,Edition 75,pencil signed

This is a drypoint etching from February 1931. Edition of 100. Catalog: BPL 104. Pencil signed in the lower right, pencil numbered 35 out of 100 in the lower left. Plate measures 14 1/4 x 9 1/2 inches on 16 1/2 x 11 1/2 inch Rives watermarked wove paper. A well inked, exquisitely detailed etching. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Color woodblock print c. 1859. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. Print measures 13 1/2 x 9 inches on 13 7/8 x 9 3/4 inch handmade japan paper. A very detailed print with embossing in the white clouds.

Etching on laid-type paper, printed in brown-toned ink. Pencil signed in the lower right. C. 1925.
Image measures 9 3/4 x 7 inches, sheet size measures 15 x 12 inches.

Etching, dry point, image size 10 7/8 x 9 3/8 inches, ca. 1936, signed and titled in pencil, also plate signed. Edition of 25 for the NYC WPA. "Federal Art Project/NYC WPA" stamped in l.l.

THis is a fine original lithograph by Chicago artist Helen Noel.  This pencil signed impression showing a group waiting for the subway was created and printed circa 1940's.  The image measures 9X11 inches, some minor spots of rust, unobtrusive.

This is a fine  pencil signed etching by American artist Edith Penman (1860-1929)  The title is Landscape, thought to be the Orchard at St. John's College, created and printed in 1888.  This etching has an image size 3 1/4X4 7/8 inches.  Printed on Japanese vellum paper.  Another impression of this etching is in the collection of The Parrish Art Museum in Southampton.  Nicely framed with archival matting.

Plate signed in the lower left. Signed in ink in the lower right. Edition of 30. Titled and editioned in ink near bottom edge of paper. Print is adhered to matboard. Plate measures 6 1/2 x 8 1/8 inches on 10 1/2 x 13 3/4 inch paper. A sharp, finely detailed etching with rich drypoint burr of daily life on a busy street in Covent Garden Market against the backdrop of St Paul’s Church portico.

This is an original lithograph, pencil signed and numbered by American artist Raphael Soyer.  The title is Portrait of a Young Girl,  it was created and printed in 1970. Numbered 57/120.  The image measures 15 1/4X12 inches.  Printed on a medium weight wove type sheet.  Broad margins, deckeled edges.

This etching by Mortimer Menpes measures 12 3/8 x 6 3/8 inches, pencil signed, c. 1902, edition of 50, looking towards the Gothic Baldachin. Menpes attended the School of Art in London in 1878 and started exhibiting at the Royal Academy in 1880. He became a major figure in the etching revival, producing more than seven hundred different etchings and drypoints, which he usually printed himself.