Prints

Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".

This is an original wood engraving by American artist Herbert Waters.  The title is: Winter at Otter Cliffs, Mt Desert Island, Maine, pencil signed and titled, numbered as 41/100.  Created and printed in 1979.  The image measures 7 1/2X8 1/2 inches.  Very fine condition.

This etching by Mortimer Menpes measures 12 3/8 x 6 3/8 inches, pencil signed, c. 1902, edition of 50, looking towards the Gothic Baldachin. Menpes attended the School of Art in London in 1878 and started exhibiting at the Royal Academy in 1880. He became a major figure in the etching revival, producing more than seven hundred different etchings and drypoints, which he usually printed himself.

A beautiful architectural cityscape by master printmaker, Joseph Pennell. Measuring 8 x 11 inches, it is pencil signed, publishers label included. Created in 1905 in an edition of probably 75, cat: Wuerth #379. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.

This is an original etching  by American artist Thomas Moran, this image done with roulette, sandpaper ground, drypoint and retroussage to create the etching.  The title of this work is: 

"The Coyote-Arizona, also known as "Twilight in Arizona".. This etching was created and printed in 1880.  It is plate signed with the TM monogram in the lower left corner of the image, printed on a medium weight wove type paper.  The image measures 5 7/8X8 3/4  inches, A very rich impression of this important etching by Moran.  This image appears in the Gilcrease catalog as image number 36.

Color woodblock print C. 1858. A collaboration between Hiroshige II, Toyokuni II, and Kunisada. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. Date seal: horse 12.

Etching, dry point, image size 10 7/8 x 9 3/8 inches, ca. 1936, signed and titled in pencil, also plate signed. Edition of 25 for the NYC WPA. "Federal Art Project/NYC WPA" stamped in l.l.

Etching on thin Japan,1900,image size 6 7/8X4 1/2",pencil signed

Etching, image size 13 5/8 x 9 1/4 inches, plate size 15 x 10 inches, 1884, printed on medium weight laid paper, plate signed "Otto H. Bacher Forest City", "A Wheel Of Three Generations In 1884" on bottom of print. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.

This is an original pencil signed wood engraving by American artist Asa Cheffetz. The title is Deserted Farm, Vermont.  Created and printed in 1950, Sold through Associated American Artists in New York.  The image measures 5 1/2X8 7/8 inches.  Very fine condition.

Etching,1919, Bpl.61,image size: 5 1/2X7 1/4 inches,Edition 75,pencil signed

Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.

This is a fine wood engraving by American artist Herbert Waters.  The title is: Autumn Bouquet, created and printed circa 1960.  This image is pencil signed, titled and numbered 56/75 from the second edition.  Printed with a brown toned ink  Beautiful condition.  The image measures 7 1/2X6 5/8 inches.

This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Etching, image size 4 1/2 x 5 7/8 inches, 1870, Harrington 144, Schneiderman 132 v/v, pencil signed