Prints

Drypoint etching, image size 8 x 10 inches, 31/100, Library of Congress print cat. page 286, pencil signed

Etching with drypoint by Ernest Haskell measures 7 x 12 inches. Made in 1915, printed on wove-type paper. Pencil signed and titled. Ernest Haskell was born in Connecticut and in the early 20th century spent time in both New York and Paris. While in Europe he met Whistler and was inspired to take up etching; his style was greatly influenced by the work of Whistler as well as that of Rembrandt, Da Vinci and Durer.

"The Post Office" measures 9 3/4 x 13 3/4 inches and is pencil signed and numbered. Schutz was founder of the NY Graphic Society. Born in Germany and living there for many years, including some spent in the German Army in WW1, Schutz emigrated to the US in 1924 and attended the Art Student's League of NY, working with Joseph Pennell.

Etching with drypoint, image size 8 x 10 inches, 1935, pencil signed l.r, titled in pencil in the l.l. margin. Illustrated in "Fine Prints of the Year 1935."

Lithograph, published in 1938 by the Associated American Artists. Pencil signed in the lower right. Print measures 9 x 11 1/2 inches on 11 x 13 3/8 inch wove type paper. Edition of 250.

This fine cityscape by Anton Schutz, created in 1930, measures 14 x 9 3/4 inches. It is an artist proof, second state and pencil signed. Schutz worked with Joseph Pennell at the Art Student's League and was known for his east coast cityscapes.

An atmospheric etching of a Spanish courtyard by Australian artist Lionel Lindsay, this image measures 9 3/4 x 5 1/8 inches, published in 1927 in an edition of 60, pencil signed, numbered and titled.

Etching, drypoint, image size 9 7/8 x 11 7/8 inches, 1935, pencil signed l.r. "Philip Kappel". Selected for "Fine Prints of the Year", 1936, pl.74. The image was made on the Columbia Line's Bogota or Columbia. The Haitian crew used soft volcanic tufa to scrub down the wooden decks. The bulldog, center, was the vessel's mascot.

A drypoint etching from 1920. A well inked impression with good use of plate toning. Plate measures 5 x 10 inches on 6 1/2 x 11 1/4 inch wove paper. Pencil signed in the lower right.

This rare engraving by John Sartain, after Da Cortona, measures 17 x 11 3/8 inches on heavy weight laid type paper. Part of a fresco painted by Da Cortona in the Duomo at Orvieto Cathedral in Italy. Published in London by William Young Ottley in May of 1825. Plate number at top right.

A richly inked original etching with aquatint, this image measures 6 1/4 x 5 1/4 inches, c. 1930, pencil signed.

Etching, image size 14 3/4 x 11 inches, c. 1880, plate signed l.l. "Robt. R. Wiseman"

This etching by Daubigny measures 7 1/4 x 13 1/4 inches, "Daubigny pinx 8c sculp" on l.l., "PARC A MOUTONS, LE MATIN." on l.c. and "Imp. Delatre, Rue des Feuillantines; 4, Paris." on l.r., D. 95, between 2nd and 3rd state of 4, center crease.

Etching, image size 9 5/8 x 16 7/8 inches, c. 1920, edition of 100, pencil signed lower right, titled and editioned in pencil on lower margin of the sheet.

Lithograph, image size 7 7/8 x 10 7/8 inches, Barker 33, ed. of 76, pencil signed