Color Aquatint,1943,11X7 7/8",pencil signed and titled
Engraving after P. Mignard, 1684, 4th state, image size 12 5/8 x 8 7/8 in, sheet 15 1/8 x 10 3/4 in, Randall 1759, Fogg Museum provenance
Color Mezzotint, image size: 7 5/16 x 14 1/2 inches, ed. 63/75, pencil signed and titled
This detailed engraving of the French writer and historian, Charles Jean Francois Henault, was done in 1744 by Jean-Guillaune Moitte after Augustin Saint-Aubin. It measures 16 1/2 x 12 1/8 inches.
This is a very richly inked original etching by Australian artist Lionel Lindsay, based on his travels through Spain in the early 1900s. The image size is 5 3/8 x 11 1/4 inches, c. 1927, pencil signed and titled.
Engraving by Fabio Berardi, after Giuseppe Zais. The italian inscription at the bottom reads "there is no lack of escort to the wise traveler." Print measures 8 3/4 x 13 inches on 9 1/2 x 13 7/8 inch laid type paper.
Etching on laid-type paper. Plate signed, pencil signed and titled. Image measures 7 x 9 7/8 inches on 9 x 11 7/8ths paper.
Lithograph, image size 9 1/2 x 13 1/2 inches, 1936, Barker 189, pencil signed and inscribed "Ed. 35. To my kind hosts, Mr. and Mrs. J.C. Menishom [?], Feb. 17, 1937. A.W.B."
Lithograph, image size 10 5/8 x 15 1/4 inches, sheet size 15 3/4 x 22 3/4 inches, 1935, pencil signed and titled
This etching by Arthur C. Taylor measures 5 x 7 inches. Printed in an edition of 100, on medium weight paper with wide margins, it is plate signed and also pencil signed, title and numbered on the lower margin. A very atmospheric image created by Taylors' placement of a richly inked wooded foreground illuminated by the light filtering through the trees in the background.
A graceful image of the woodland plant 'arisaema triphyllum', commonly known as 'jack in the pulpit', by Barry Moser. This wood engraving measures 7 7/8 x 5 7/8 inches, 1978, pencil signed.
This etching by Anton Schutz measures 9 7/8 x 13 3/4 inches. It is pencil signed and numbered. Schutz was born in Germany and emigrated to the US in 1924 before Hitler came into power. A well-known artist in Germany, especially Munich, he started over again and enrolled in the Art Student's League in NY, working with Joseph Pennel. He became known for his portrayal of large cities along the eastern seaboard, capturing the enormity of the buildings along with the spirit of the American people.
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