19th Century American Prints

Sunset Gloucester Harbor

$275.00

This is a an atmospheric original etching, image size 4 3/4 x 8 3/4 inches, 1880, cat: Schneider-40, plate signed. Stephen Parrish was one of the leading American etchers of the late 19th century, known for his atmospheric images of the rugged New England and Nova Scotia coastlines.

Negro Huts in Wilmington, N.C.

$275.00

Etching, image size 3 x 5 3/4 inches, c. 1880, plate signed l.r. "JM Falconer" and pencil signed l.r. "Falconer". Falconer was a Scottish-born American etcher, painter, and watercolorist. He belonged to the New York Etching Club, and was made an honorary member of the National Academy of Design in 1856. He is known for his picturesque sites of older buildings and rural ruins. Falconer was a friend of Thomas Cole, Asher Durand, Jasper Francis Cropsey and other artists of the Hudson River School. His works are in the collections of the Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; the New-York Historical Society; the Brooklyn Museum of Art; and the Columbus (Georgia) Museum.

Solitude

$275.00

Etching measures 5 1/2 x 7 1/2 inches in an 11 1/4 12 7/8 inch black frame. C. 1880. Plate initialed and dated in the lower right. Catalog: Klackner 9. Published in 1880 by the American Art Review. A dark and detailed print with a rich drypoint burr. Mary Nimmo Moran was one of the leading women etchers of the late 19th century, and along with her husband, Thomas Moran was at the forefront of the etching revival. Known for the originality and boldness of her etchings, Mary Nimmo Moran was a member of the Society of Painter-Etchers and the only female member of the Fellows of London's Royal Society of Painter-Etchers.

Mills on the Schroon

$275.00

This is a very rare early etching by Stephen Parrish, image size 5 7/8 x 10 7/8 inches, 1880, cat: Schneider-10, plate signed and titled, pencil signed. A richly inked impression with beautiful tonal range on a thin laid type paper, some condition issues.

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