20th Century European Prints

German Expressionist figure study c. 1916. Printed on wove-type paper, 6 1/4 x 5 inches on 12 1/2 x 9 3/4 paper. Artist signed in pencil.

Lithograph, image size: 7 1/2 x 5 3/4 inches, from "Les Hommes Abandonnes," framed

Etching, image size 10 1/2 x 7 3/4, third plate - first state, circa 1900, pencil signed

Etching, image size 4 x 6 1/2 inches, 1927, Flammarion 125, part of the Visage des Maisons series, pencil signed.

This engraving and aquatint by Jean Emile Laboureur measures 5 x 5 7/8 inches and is pencil signed and numbered. Created in 1925, L-292.

Drypoint etching, image size 4 1/2 x 6 3/4 inches, 1913, ed. of 35, pencil signed. From "10 Radierte Tierstudien von Max Slevogt."

Etching, image size 11 7/8 x 8 1/2 inches, 1927, edition of 75, pencil signed. Provenance: The Blanton Museum of Art, Austin, Texas.

This is a drypoint etching from 1911. The plate measures 7 x 5 1/8 inches in a gold 20 1/4 x 16 1/2 inch frame. Plate signed in the lower right. Pencil numbered in the lower right 16 in an edition of 44. "Artist's proof" in pencil in the lower left. Catalog: A 417, Lugt 1193. Red stamp of the publisher, Gustave Pellet, in the lower right. A fine impression with a rich drypoint burr.

Pencil signed in the lower left corner, etching measures 4 3/8 x 9 1/8 inches on laid-type paper.

Color woodblock, image size 13 9/16 x 10 13/16 in, signed in pen lower left

etching/drypoint, 87/250, 10 3/4x7 1/4, pencil signed

Etching, image size 8 3/8 x 9 7/8 inches, 1925, hand signed in ink.

This is a bustling Middle Eastern street scene with a remarque of horses running in the desert along the lower edge of the image. Etching, image size 10 1/8 x 7 5/8 inches, c. 1940, edition of 25, pencil signed and numbered.

Drypoint etching, image size 4 1/8 x 5 1/2 inches, 1913, ed. of 35, pencil signed. From "10 Radierte Tierstudien von Max Slevogt."

A drypoint etching from 1920. Catalog: B-223. Pencil signed in the lower right. Plate 7 3/4 x 12 3/4 inches on 11 1/2 x 16 inch watermarked laid paper. A richly inked impression with a rich drypoint burr. Soper was a master at showing Horses at work in the old British farm lands.