Etching printed in 1929 on wove-type paper made in England, plate initialed in the lower left corner, pencil signed, titled, and editioned. Print 6 of an edition of 50. Image measures 10 1/2 x 14 12 on 13 1/2 x 18 1/4 paper.
Etching printed in 1929 on wove-type paper made in England, plate initialed in the lower left corner, pencil signed, titled, and editioned. Print 6 of an edition of 50. Image measures 10 1/2 x 14 12 on 13 1/2 x 18 1/4 paper.
This landscape by Dexter Dawes of two majestic oaks measures 9 7/8 x 12 1/2 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
Drypoint,1929,edition of 80,image size: 10 3/4X8 7/8 inches, cat.Bpl-145, pencil signed, framed
Pencil signed in the lower right, "private proof" in the lower left. Plate measures 9 1/4 x 12 3/4 inches on 12 3/4 x 16 inch laid-type paper. C. 1930. This is a rare print and a rare subject for Kuhler, who is famous for his prints of trains and the industrial revolution.
This 1950 etching by the American artist Ernest Roth measures 9 x 12 inches, pencil signed, dated and plate titled. Created as a presentation print for the Society of American Etchers, Gravers, Lithographers and Woodcutters in 1951. Included is a analysis and appreciation of Roth's work by the president of the society, John Taylor Arms.
This is an original pencil signed etching by British artist Sir Frank Short. The title is: A Lane in Arundel, it was created and printed in 1907. The image measures 8 1/8X10 inches. A rich impression.
This lithograph with a delicate Manhattan skyline in the distance by Dexter Dawes measures 14 x 17 inches and is pencil signed in the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
"Looking West" by Dexter Dawes measures 12 x 14 3/4 inches and is pencil signed by the artist on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
This lithograph of the George Washington Bridge under construction by Dexter Dawes measures 11 x 17 inches and is pencil signed on the lower right margin. This is one in a series of lithographs of the construction of the George Washington Bridge that Dawes created between 1927 and the bridges' completion in 1931. This suspension bridge would eventually connect Ft. Lee, NJ to Manhattan across the Hudson River. Swiss born engineer Othmar Amman made this gigantic structure look "light and airy" with its miles of intertwined steel cable. Considered by some to be the noblest of bridges it became a symbol of the art and craft of the civil engineering profession.
Etching printed in 1929. Edition of 50. Plate initialed and pencil signed, titled and editioned. Printed on JJ Head & Co handmade laid-type paper. Trial proof. Image measures 10 5/8 x 14 7/8 inches on 13 3/8 x 18 inches.
A lithograph by Dexter Dawes with a view of Mt. Monadnock seen though two giant maples measures 12 7/8 x 10 1/2 inches. It is pencil signed in the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
This lithograph by Dexter Dawes measures 11 x 14 3/4 inches and is pencil signed. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
This is an original drypoint etching by British artist Henry Rushbury. The title is: "Old Deal", created in 1920, this etching has an image size of 6 7/8X7 inches. Pencil signed lower right border, inscribed "30 impressions", this is an early state of three.
This lithograph of the First Congregational Church in Old Lyme measures 12 3/4 x 17 inches. It is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.
This lithograph by Dexter Dawes measures 12 1/8 x 14 7/8 inches and is pencil signed by the artist. This is one in a series of lithographs of the construction of the George Washington Bridge that Dawes created between 1927 and the bridges' completion in 1931. This suspension bridge would eventually connect Ft. Lee, NJ to Manhattan across the Hudson River. Swiss born engineer Othmar Amman made this gigantic structure look "light and airy" with its miles of intertwined steel cable. Considered by some to be the noblest of bridges it became a symbol of the art and craft of the civil engineering profession.
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