Prints

This etching by Mathias Arteaga, after Valdes Leal, measures 20 1/2 x 11 5/8 inches. Created c. 1672, it is plate signed on the lower left with some worm damage within the image.

This etching of the "Monument to St. Ferdinand, by Mathias Arteaga, after Valdes Leal, measures 21 5/8 x 13 1/2 inches. It is dated "1671" on the lower center border and there is some worm damage within the image.

Etching, image size 10 x 8 3/8 inches, 1883, plate signed u.r. "I.M.Gaugengigl 1883".

Etching, image size 9 1/4 x 8 5/8 inches, published by the Associated American Artists with the original label, pencil signed.

Etching by Bernard Eyre (Walker) measuring 6 7/8 x 10 3/4 inches, pencil signed, plate dated, 1912.

Etching with drypoint, 1926, ed. 80, image size: 9 3/8 x 7 3/8 inches, cat. Smith 124, pencil signed

Hardcover book by William S. Walsh, illustrated with etchings by Hermann Faber, published by J.B. Lippincott Company, Philadelphia: 1888.

Etching, image size 7 1/8 x 10 7/16 inches, plate signed and dated in the cottage lintel upper right. Dietrich frequently signed his work 'Dietricy.'

This 1985 image by Barry Moser titled "Homestake Foundry" measures 4 x 7 inches, in an edition of 350 and is pencil signed by the artist on the lower margin. This is a series of 25 images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design. His prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of these images that it is a "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families paid for their dreams of a better life.

Etching in sepia ink, image size 6 x 10 7/8 inches, 1883, cat: Rice-44, plate signed and dated, l.r.

Engraving after De Troy, 2nd state (after letters), image size 12 7/16 x 8 1/8 inches, Randall Coll. #1735, Fogg Museum provenance

woodblock print, 9 1/4X8,p/s

1882, etching, 6 1/4x9

Plate signed and titled. Printed on watermarked laid-type paper, 8 x 10 inches. Burridge studied at the Royal College of Art under Frank Short from 1857 to 1945. He then taught as Head of Liverpool School of Art, 1897-1905, and as Principal of the Liverpool City School of Art, 1905-12, before returning to London as Principal of the Central School of Arts and Crafts, 1912-30. He produced etchings and mezzotints of landscapes and coastal scenes often featuring low horizons and dramatic, stormy skies.

Etching,1938,AAA,ed.250,13 3/8X10 1/8"pencil signed