Prints

This softground etching by Samuel Prout measures 8 1/2 x 12 1/2 inches and is plate initialed on the lower left. Published in 1814 by T. Palser, London.

Etching, image size 7 3/8 x 5 15/16 inches, pencil signed, framed.

This 1866 etching by Felix Bracquemond, after a painting by Gustave Courbet, measures 8 1/2 x 12 1/4 inches, 1866, published by Cadart and Luquet, Paris, signed in the plate in reverse, l.r., numbered in plate (242), u.l., cat: Beraldi-281.

Etching/drypoint, image size 7 X 6 inches, 1923, subsequent to Hardie, artist's blindstamp, pencil signed.

This is an evocative diptych wood engraving by Barry Moser with incredibly rich texture and detail. The image size is 7 x 10 inches, 1977, pencil signed.

Engraving after H. Stresor, 1664, image size (no borders) 12 7/8 x 10 in, Randall 1510, Fogg Museum provenance

Etching, image size 11 13/16 x 8 7/8 inches, pencil signed

Engraving after Champagne, 1732, image size 13 7/8 x 9 5/8 in, sheet 14 3/4 x 10 5/8 in, Randall 3728, Fogg Museum provenance

Etching, image size 8 3/4 x 5 3/4 inches, pencil signed

Wood Engraving, image size 7 3/4 x 10 3/4 inches, pencil signed

Etching, image size: 9 7/8 x 6 7/8 inches, 1924, cat. Wuerth-837, edition of probably 75, pencil signed lower right

Etching, image size 5 5/8 x 5 5/8 inches, 1875, Bliss #85, plate signed l.r. "A. Legros".

This drypoint etching by Louis Conrad Rosenberg measures 8 1/4 x 6 7/8 inches. Created in 1925, it is pencil signed in the lower right. Rosenberg studied architecture at the University of Oregon before moving into architectural etching, studying at the American Academy in Rome and the Royal College of Art in London. The majority of his work was of European buildings with historic significance.

Etching, image size: 9 x 11 5/8 inches, pencil signed lower right

Engraving after Francesco Primaticcio, image size: 7 5/16 x 9 3/4 inches